A New Definition of Luxury
History
Guccio Gucci, born in 1881, nurtured the desire to unite the skilled Italian artisans with that sophisticated and typically English vision of luxury that he had enjoyed during his employment at the Savoy Hotel in London.
After working for the company Franzi in Milan, he founded a leather goods company in Florence in 1921 with a luggage shop.
In the 30s, his gloves, belts, suitcases and trunks were the exclusive Italian souvenir, ideal for ladies of the beautiful international world.
Riding articles, from which the iconic elements of the clamp and the bracket were taken over in the 50s, represented the right mix between accuracy of details and exquisite workmanship.
The autarchic years of the fascist dictatorship were unscathed, when the Gucci production had to fall back on hemp, on which the diamond, jute and linen motif was woven, the brand showed a strong rise, so much so that in 1938 the Roman boutique was inaugurated in Via Condotti.
In the shortage of post-war materials, in 1947 an iconic bag was created for Gucci, the Bamboo, with the handle of the same material, dark and folded, with the same closure.
Meanwhile, the brand had become synonymous with luxury and quality, the label was successful overseas, when in addition to Milan was opened the first store in New York.
In the same period, the Fifties, the green-red-green striped texture was elaborated and, subsequently, also blue-red-blue, in cotton or wool, inspired by the flank billet of the saddles.
After the death of the founder in 1953, the reins of the brand passed to his sons Aldo, Vasco, Ugo and Rodolfo who contributed intensely to the development of the fashion house. Gucci boutiques were growing all over the world: London, Palm Beach, Paris and Beverly Hills, then Chicago and the East from the 70s.
That combination of the international jet set world and the maison began, which would have decreed some Gucci accessories as icons of our times.
Jackie Kennedy used to use a model of a shoulder bag with a clasp closure and a central weft, since then better known as "Jackie O".
Audrey Hepburn, Maria Callas and the Duchess of Windsor wore Gucci products, while Elisabeth Taylor or Samuel Beckett preferred the unisex "Hobo" bag.
It belongs to the mid-1960s the iconic symbol of the two crossed Gs, used to close the bags and then, in monogram, on a cotton canvas called GG Canvas. In the 70s the development of prêt-à-porter took place, favored by the opening of a large factory in Scandicci.
Silk shirts on which the two G logo was printed or with red and blue Gucci motif crossed with horsebit. While jackets with logo buttons or precious reptile overcoats were the must have of the fashion house.
In 1981 Gucci staged his first fashion show in Florence, and the year after the house was handed over to Maurizio, Rodolfo's son. Meanwhile, another cult piece, the moccasin with the clamp, the classic loafer, was added to the permanent collection of the Costume Institute of the Metropolitan Museum in New York.
After the transfer in 1993 of his shareholding to the Anglo-Arab company Investcorp, Maurizio exits the company which, after being listed on the stock market in 1995, is rewarded for his performances as the best European company in 1998.
In the second half of the Nineties, the luster of the label was rediscovered thanks to the duo Domenico De Sole - Tom Ford. The former, managing director since 1995, the second became creative director of Gucci in 1994, after taking care of the women's line.
For the next ten years, he built into the company’s traditional image a provocative and bold style that immediately echoed throughout the world of fashion. Pointed heels and low-cut dresses in jersey with metal detailing instantly became the symbol of Tom Ford’s seductive and glamorous vision.
After Tom Ford’s departure from the fashion house in 2004, former director of the brand’s accessory line Frida Giannini was promoted to the company’s sole creative director in 2006.
The designer reinterpreted the heritage that her predecessors established creating a fusion of past and present, of history and modernity.
Influential, innovative and progressive, Gucci is reinventing a wholly modern approach to fashion.
Under the new vision of creative director Alessandro Michele, the House has redefined luxury for the 21st century, further reinforcing its position as one of the world’s most desirable fashion houses.
Eclectic, contemporary, romantic, Gucci products represent the pinnacle of Italian craftsmanship and are unsurpassed for their quality and attention to detail.
A New Definition of Luxury
History
Guccio Gucci, born in 1881, nurtured the desire to unite the skilled Italian artisans with that sophisticated and typically English vision of luxury that he had enjoyed during his employment at the Savoy Hotel in London.
After working for the company Franzi in Milan, he founded a leather goods company in Florence in 1921 with a luggage shop.
In the 30s, his gloves, belts, suitcases and trunks were the exclusive Italian souvenir, ideal for ladies of the beautiful international world.
Riding articles, from which the iconic elements of the clamp and the bracket were taken over in the 50s, represented the right mix between accuracy of details and exquisite workmanship.
The autarchic years of the fascist dictatorship were unscathed, when the Gucci production had to fall back on hemp, on which the diamond, jute and linen motif was woven, the brand showed a strong rise, so much so that in 1938 the Roman boutique was inaugurated in Via Condotti.
In the shortage of post-war materials, in 1947 an iconic bag was created for Gucci, the Bamboo, with the handle of the same material, dark and folded, with the same closure.
Meanwhile, the brand had become synonymous with luxury and quality, the label was successful overseas, when in addition to Milan was opened the first store in New York.
In the same period, the Fifties, the green-red-green striped texture was elaborated and, subsequently, also blue-red-blue, in cotton or wool, inspired by the flank billet of the saddles.
After the death of the founder in 1953, the reins of the brand passed to his sons Aldo, Vasco, Ugo and Rodolfo who contributed intensely to the development of the fashion house. Gucci boutiques were growing all over the world: London, Palm Beach, Paris and Beverly Hills, then Chicago and the East from the 70s.
That combination of the international jet set world and the maison began, which would have decreed some Gucci accessories as icons of our times.
Jackie Kennedy used to use a model of a shoulder bag with a clasp closure and a central weft, since then better known as "Jackie O".
Audrey Hepburn, Maria Callas and the Duchess of Windsor wore Gucci products, while Elisabeth Taylor or Samuel Beckett preferred the unisex "Hobo" bag.
It belongs to the mid-1960s the iconic symbol of the two crossed Gs, used to close the bags and then, in monogram, on a cotton canvas called GG Canvas. In the 70s the development of prêt-à-porter took place, favored by the opening of a large factory in Scandicci.
Silk shirts on which the two G logo was printed or with red and blue Gucci motif crossed with horsebit. While jackets with logo buttons or precious reptile overcoats were the must have of the fashion house.
In 1981 Gucci staged his first fashion show in Florence, and the year after the house was handed over to Maurizio, Rodolfo's son. Meanwhile, another cult piece, the moccasin with the clamp, the classic loafer, was added to the permanent collection of the Costume Institute of the Metropolitan Museum in New York.
After the transfer in 1993 of his shareholding to the Anglo-Arab company Investcorp, Maurizio exits the company which, after being listed on the stock market in 1995, is rewarded for his performances as the best European company in 1998.
In the second half of the Nineties, the luster of the label was rediscovered thanks to the duo Domenico De Sole - Tom Ford. The former, managing director since 1995, the second became creative director of Gucci in 1994, after taking care of the women's line.
For the next ten years, he built into the company’s traditional image a provocative and bold style that immediately echoed throughout the world of fashion. Pointed heels and low-cut dresses in jersey with metal detailing instantly became the symbol of Tom Ford’s seductive and glamorous vision.
After Tom Ford’s departure from the fashion house in 2004, former director of the brand’s accessory line Frida Giannini was promoted to the company’s sole creative director in 2006.
The designer reinterpreted the heritage that her predecessors established creating a fusion of past and present, of history and modernity.
Influential, innovative and progressive, Gucci is reinventing a wholly modern approach to fashion.
Under the new vision of creative director Alessandro Michele, the House has redefined luxury for the 21st century, further reinforcing its position as one of the world’s most desirable fashion houses.
Eclectic, contemporary, romantic, Gucci products represent the pinnacle of Italian craftsmanship and are unsurpassed for their quality and attention to detail.
Cat-eye sunglasses are refashioned into a bejeweled design for Cruise, playing with an eclectic mix of materials and details. A sophisticated feel defines the shiny black acetate frame, while sparkling crystals illuminate the silver-toned metal temples, ending with a mother of pearl effect tip. The Interlocking G, a distinctive logo of the House,...
Black cat-eye frames are carved into a bamboo effect design with gold-toned metal details, complemented by yellow lenses. Bamboo was originally incorporated into Gucci's collections in 1947 and soon became one of the most recognizable House emblems, often reworked in unexpected ways.
Black cat-eye frames are carved into a bamboo effect design with gold-toned metal details, complemented by brown lenses. Bamboo was originally incorporated into Gucci's collections in 1947 and soon became one of the most recognizable House emblems, often reworked in unexpected ways.
An oversize rounded shape reminiscent of the '70s—a hallmark era of the House—defines these black acetate frames, speaking to the retro influences that run throughout the collection. The temples are accented with an Interlocking G detail in gold-toned metal.
Round black frames are carved into a bamboo effect design with gold-toned metal details, encircling grey lenses. Bamboo was originally incorporated into Gucci's collections in 1947 and soon became one of the most recognizable House emblems, often reworked in unexpected ways.
A playful mix of volume and details, the rounded glasses are trimmed with delicate gold-toned metal frame and temples. The pink shaded lenses are complemented by red and black enameled stripe details that frame the sides and continue to the temples, ending in a pearl effect acetate tip. A small Interlocking G detail on each side completes the shape.
A graphic squared shape defines these oversize black acetate frames, speaking to the retro influences that run throughout the collection. The temples are accented with an Interlocking G detail in gold-toned metal.
A graphic squared shape defines these oversize black acetate frames, speaking to the retro influences that run throughout the collection. The temples are accented with an Interlocking G detail in gold-toned metal which a mirrored lens adds a contemporary edge.
A graphic octagonal shape defines these oversize ivory acetate frames, speaking to the retro influences that run throughout the collection. The temples are accented with an Interlocking G detail in gold-toned metal—a subtle nod to the House.
A graphic octagonal shape defines these oversize black acetate frames, speaking to the retro influences that run throughout the collection. The temples are accented with an Interlocking G detail in gold-toned metal—a subtle nod to the House.
A graphic octagonal shape defines these oversize black acetate frames, contrasted by vibrant yellow lenses that speak to the retro influences that run throughout the collection. The temples are accented with an Interlocking G detail in gold-toned metal—a subtle nod to the House.
Light pink square lenses define these sunglasses, while sparkling crystals illuminate the silver-toned metal temples, ending with a mother of pearl effect tip. Bejeweled designs characterize the Cruise eyewear collection, resulting in an eclectic mix of materials and details.
Grey square lenses define these sunglasses, while sparkling crystals illuminate the silver-toned metal temples, ending with a mother of pearl effect tip. Bejeweled designs characterize the Cruise 2020 eyewear collection, resulting in an eclectic mix of materials and details.
Rectangular sunglasses are refashioned into a bejeweled design for Cruise, playing with an eclectic mix of materials and details. A sophisticated feel defines the shiny black acetate frame, while sparkling crystals illuminate the silver-toned metal temples, ending with a mother of pearl effect tip. The Interlocking G, a distinctive logo of the House,...
Rectangular sunglasses are refashioned into a bejeweled design for Cruise, playing with an eclectic mix of materials and details. A black and ivory zebra motif animates the acetate frame, while sparkling crystals illuminate the silver-toned metal temples, ending with a mother of pearl effect tip. Violet lens add a vintage inspired feel to the accessory.
Now synonymous with the House's eyewear, fork-shaped temples are reimagined in a mix of materials and sizes. The ivory acetate frame combines with gold-toned metal temples enriched by purple enamel, while the light grey shaded lens gives a vintage feel to the accessory. Among Gucci's most distinctive logos, the Interlocking G completes the design.
Now synonymous with the House's eyewear, fork-shaped temples are reimagined in a mix of materials and sizes. The black acetate frame combines with gold-toned metal temples enriched by ivory enamel, while the grey shaded lens gives a vintage feel to the accessory. Among Gucci's most distinctive logos, the Interlocking G completes the design.
Now synonymous with the House's eyewear, fork-shaped temples are reimagined in a subtle design, with a square grey shaded lens and brown enamel to enrich the gold-toned metal frame. Among Gucci's most distinctive logos, the Interlocking G completes the accessory.
Now synonymous with the House's eyewear, fork-shaped temples are reimagined in a subtle design, with a square grey shaded lens and brown enamel to enrich the gold-toned metal frame. Among Gucci's most distinctive logos, the Interlocking G completes the accessory.
Engraved to recreate a horn-like effect, the ivory injected sunglasses are further enhanced by gold-toned textured metal details. The Interlocking G logo decorates the temples, while the dark brown lens adds subtle contrast.
Defined by a butterfly-shaped design, the oversize gold-toned metal sunglasses' temple tips feature a light green resin pearl matching the color of the lens. The House's distinctive logo, the Interlocking G further enhances the accessory.