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The aquamarine-toned, hand-embroidered lace is composed of hundreds of modules and is embroidered on a tulle base. The cut-out phase alone, required four days of work.
The red satin and tulle follows the shape of body leaving the décolleté centre stage, thanks to the sharp neckline. The decorative details are in embroidered, limited edition luneville, realised with hand-clipping and -embroidery technique. The dress has a mermaid silhouette, with a side slit.
Tulle and light lace lamè effect give life to the main structure of the dress with the sweetheart neckline, decorated with a moulage-made drape, all exclusively hand made. Tulle bands fluctuate from the corsage to the skirt, topped by the light bow that adorns the back of the waistline.
The twentieth-century shape. The long, hooded cape, as illustrated in the image below. The precious lace triumphs in the hand-embroidered bodice that becomes almost evanescent towards its edges as well as on the skirt filled with embroidered patters. As ever, even the ribbon that closes the cape at the height of the neck is hand embroidered.
The embroidery becomes three dimensional, highlighting the black cady with inserts of embroidered lace. It has three-quarter sleeves and a boat neckline. The bodice is matched with a light cady and tulle skirt, always hand-embroidered. Onice Top.
A transparent bodice leaves the last word to the power of construction: splints with embroidered bands create a light and sensual couture. The three-quarter sleeves are topped off with ostrich feathers. The tulle is accompanied by a hand-painted lining and bands of embroidered patterns.
The satin and tulle sky colour fades into a fluid game that accentuates the true colour towards the bottom part of the dress. The sleeveless bodice with a boat neckline is hand embroidered with a powder blue lace. The long, embroidered cape is detachable.
A glamorous dress with feathers that fade towards the more transparent part of the lace neckline. The dress is short, in cady, with flowy chiffon, embroidered sleeves that accompany the arms and extend until the feet.
Hundreds of lace modules are cut and reapplied, one by one on the top, creating branches that extend and intersect to accompany the satin and tulle glossy/matte effect skirt. Ambra Top.
Midi dress with black cady and inserts of macramé ton sur ton made up of more than twenty pieces. The dress has a mermaid silhouette and bell sleeves.
Long mermaid dress with star embroidery and bustier body inserted underneath.
Pink sheath dress with macramé lace and embroidered tulle all tone on tone and cup inserted.
Lingerie dress with bare back and tone-on-tone lace inserts.
Matt silver mesh, gold line.
In cady and silk, hand-painted and embroidered with pyrite and smoky quartz. The writing Haute Couture is in 24 karat gold thread. To match the t-shirt, a midi tulle skirt with light lace lame effect. Perla Top.
The Seventies style is revisited in the Atelier, with a hand embroidered, fringed gilet. The cady extends to structure the pants which then merges with knee-high lace, creating an elegantly transparent effect at the bottom. Agata Gilet.
The Seventies style is revisited in the Atelier, with a hand embroidered, fringed gilet. The cady extends to structure the pants which then merges with knee-high lace, creating an elegantly transparent effect at the bottom. Agata Cape.
The twentieth-century shape. The long, hooded cape, as illustrated in the image below. The precious lace triumphs in the hand-embroidered bodice that becomes almost evanescent towards its edges as well as on the skirt filled with embroidered patters. As ever, even the ribbon that closes the cape at the height of the neck is hand embroidered. Domino Cape.
The embroidery becomes three dimensional, highlighting the black cady with inserts of embroidered lace. It has three-quarter sleeves and a boat neckline. The bodice is matched with a light cady and tulle skirt, always hand-embroidered. Onice Skirt.
Hundreds of lace modules are cut and reapplied, one by one on the top, creating branches that extend and intersect to accompany the satin and tulle glossy/matte effect skirt. Ambra Skirt.
The Seventies style is revisited in the Atelier, with a hand embroidered, fringed gilet. The cady extends to structure the pants which then merges with knee-high lace, creating an elegantly transparent effect at the bottom. Agata Pants.