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A New Definition of Luxury
History
Guccio Gucci, born in 1881, nurtured the desire to unite the skilled Italian artisans with that sophisticated and typically English vision of luxury that he had enjoyed during his employment at the Savoy Hotel in London.
After working for the company Franzi in Milan, he founded a leather goods company in Florence in 1921 with a luggage shop.
In the 30s, his gloves, belts, suitcases and trunks were the exclusive Italian souvenir, ideal for ladies of the beautiful international world.
Riding articles, from which the iconic elements of the clamp and the bracket were taken over in the 50s, represented the right mix between accuracy of details and exquisite workmanship.
The autarchic years of the fascist dictatorship were unscathed, when the Gucci production had to fall back on hemp, on which the diamond, jute and linen motif was woven, the brand showed a strong rise, so much so that in 1938 the Roman boutique was inaugurated in Via Condotti.
In the shortage of post-war materials, in 1947 an iconic bag was created for Gucci, the Bamboo, with the handle of the same material, dark and folded, with the same closure.
Meanwhile, the brand had become synonymous with luxury and quality, the label was successful overseas, when in addition to Milan was opened the first store in New York.
In the same period, the Fifties, the green-red-green striped texture was elaborated and, subsequently, also blue-red-blue, in cotton or wool, inspired by the flank billet of the saddles.
After the death of the founder in 1953, the reins of the brand passed to his sons Aldo, Vasco, Ugo and Rodolfo who contributed intensely to the development of the fashion house. Gucci boutiques were growing all over the world: London, Palm Beach, Paris and Beverly Hills, then Chicago and the East from the 70s.
That combination of the international jet set world and the maison began, which would have decreed some Gucci accessories as icons of our times.
Jackie Kennedy used to use a model of a shoulder bag with a clasp closure and a central weft, since then better known as "Jackie O".
Audrey Hepburn, Maria Callas and the Duchess of Windsor wore Gucci products, while Elisabeth Taylor or Samuel Beckett preferred the unisex "Hobo" bag.
It belongs to the mid-1960s the iconic symbol of the two crossed Gs, used to close the bags and then, in monogram, on a cotton canvas called GG Canvas. In the 70s the development of prêt-à-porter took place, favored by the opening of a large factory in Scandicci.
Silk shirts on which the two G logo was printed or with red and blue Gucci motif crossed with horsebit. While jackets with logo buttons or precious reptile overcoats were the must have of the fashion house.
In 1981 Gucci staged his first fashion show in Florence, and the year after the house was handed over to Maurizio, Rodolfo's son. Meanwhile, another cult piece, the moccasin with the clamp, the classic loafer, was added to the permanent collection of the Costume Institute of the Metropolitan Museum in New York.
After the transfer in 1993 of his shareholding to the Anglo-Arab company Investcorp, Maurizio exits the company which, after being listed on the stock market in 1995, is rewarded for his performances as the best European company in 1998.
In the second half of the Nineties, the luster of the label was rediscovered thanks to the duo Domenico De Sole - Tom Ford. The former, managing director since 1995, the second became creative director of Gucci in 1994, after taking care of the women's line.
For the next ten years, he built into the company’s traditional image a provocative and bold style that immediately echoed throughout the world of fashion. Pointed heels and low-cut dresses in jersey with metal detailing instantly became the symbol of Tom Ford’s seductive and glamorous vision.
After Tom Ford’s departure from the fashion house in 2004, former director of the brand’s accessory line Frida Giannini was promoted to the company’s sole creative director in 2006.
The designer reinterpreted the heritage that her predecessors established creating a fusion of past and present, of history and modernity.
Influential, innovative and progressive, Gucci is reinventing a wholly modern approach to fashion.
Under the new vision of creative director Alessandro Michele, the House has redefined luxury for the 21st century, further reinforcing its position as one of the world’s most desirable fashion houses.
Eclectic, contemporary, romantic, Gucci products represent the pinnacle of Italian craftsmanship and are unsurpassed for their quality and attention to detail.
A New Definition of Luxury
History
Guccio Gucci, born in 1881, nurtured the desire to unite the skilled Italian artisans with that sophisticated and typically English vision of luxury that he had enjoyed during his employment at the Savoy Hotel in London.
After working for the company Franzi in Milan, he founded a leather goods company in Florence in 1921 with a luggage shop.
In the 30s, his gloves, belts, suitcases and trunks were the exclusive Italian souvenir, ideal for ladies of the beautiful international world.
Riding articles, from which the iconic elements of the clamp and the bracket were taken over in the 50s, represented the right mix between accuracy of details and exquisite workmanship.
The autarchic years of the fascist dictatorship were unscathed, when the Gucci production had to fall back on hemp, on which the diamond, jute and linen motif was woven, the brand showed a strong rise, so much so that in 1938 the Roman boutique was inaugurated in Via Condotti.
In the shortage of post-war materials, in 1947 an iconic bag was created for Gucci, the Bamboo, with the handle of the same material, dark and folded, with the same closure.
Meanwhile, the brand had become synonymous with luxury and quality, the label was successful overseas, when in addition to Milan was opened the first store in New York.
In the same period, the Fifties, the green-red-green striped texture was elaborated and, subsequently, also blue-red-blue, in cotton or wool, inspired by the flank billet of the saddles.
After the death of the founder in 1953, the reins of the brand passed to his sons Aldo, Vasco, Ugo and Rodolfo who contributed intensely to the development of the fashion house. Gucci boutiques were growing all over the world: London, Palm Beach, Paris and Beverly Hills, then Chicago and the East from the 70s.
That combination of the international jet set world and the maison began, which would have decreed some Gucci accessories as icons of our times.
Jackie Kennedy used to use a model of a shoulder bag with a clasp closure and a central weft, since then better known as "Jackie O".
Audrey Hepburn, Maria Callas and the Duchess of Windsor wore Gucci products, while Elisabeth Taylor or Samuel Beckett preferred the unisex "Hobo" bag.
It belongs to the mid-1960s the iconic symbol of the two crossed Gs, used to close the bags and then, in monogram, on a cotton canvas called GG Canvas. In the 70s the development of prêt-à-porter took place, favored by the opening of a large factory in Scandicci.
Silk shirts on which the two G logo was printed or with red and blue Gucci motif crossed with horsebit. While jackets with logo buttons or precious reptile overcoats were the must have of the fashion house.
In 1981 Gucci staged his first fashion show in Florence, and the year after the house was handed over to Maurizio, Rodolfo's son. Meanwhile, another cult piece, the moccasin with the clamp, the classic loafer, was added to the permanent collection of the Costume Institute of the Metropolitan Museum in New York.
After the transfer in 1993 of his shareholding to the Anglo-Arab company Investcorp, Maurizio exits the company which, after being listed on the stock market in 1995, is rewarded for his performances as the best European company in 1998.
In the second half of the Nineties, the luster of the label was rediscovered thanks to the duo Domenico De Sole - Tom Ford. The former, managing director since 1995, the second became creative director of Gucci in 1994, after taking care of the women's line.
For the next ten years, he built into the company’s traditional image a provocative and bold style that immediately echoed throughout the world of fashion. Pointed heels and low-cut dresses in jersey with metal detailing instantly became the symbol of Tom Ford’s seductive and glamorous vision.
After Tom Ford’s departure from the fashion house in 2004, former director of the brand’s accessory line Frida Giannini was promoted to the company’s sole creative director in 2006.
The designer reinterpreted the heritage that her predecessors established creating a fusion of past and present, of history and modernity.
Influential, innovative and progressive, Gucci is reinventing a wholly modern approach to fashion.
Under the new vision of creative director Alessandro Michele, the House has redefined luxury for the 21st century, further reinforcing its position as one of the world’s most desirable fashion houses.
Eclectic, contemporary, romantic, Gucci products represent the pinnacle of Italian craftsmanship and are unsurpassed for their quality and attention to detail.
Characterized by a foldable metal frame, this pair of sunglasses provide portability as well as a futuristic design. Crafted from a mixture of acetate and gold-toned metal, the style is sophisticated, as well as being perfect for everyday wear. Gucci lettering completes the cut-out temples with a logo feel.
This navigator-style frame is crafted from a lightweight gold-toned metal structure and enhanced by a bar on top of the bridge. Historic patterns and codes are refreshed each season with a Gucci twist. Inspired by the equestrian world, subtle details and colors on the temples and tips celebrate the House Web.
This navigator-style frame is crafted from a lightweight dark ruthenium metal structure and enhanced by a bar on top of the bridge. Historic patterns and codes are refreshed each season with a Gucci twist. Inspired by the equestrian world, subtle details and colors on the temples and tips celebrate the House Web.
This aviator frame is crafted from a lightweight gold-toned metal structure and completed by a bar on top of the bridge. The Web, a historical House code inspired by the equestrian world, is repurposed each season. Here it appears as a subtle design detail on the temples, while contrasting tips complete the style.
This aviator frame is crafted from a lightweight silver-toned metal structure and completed by a bar on top of the bridge. The Web, a historical House code inspired by the equestrian world, is repurposed each season. Here it appears as a subtle design detail on the temples, while contrasting tips complete the style.
This pair of aviator sunglasses are crafted from a shiny silver-toned metal frame contrasting with tortoiseshell tips. The style is characterized by a photochromic lens that turns from light yellow to brown when exposed to light, while the blue light filter helps protect the eyes. A subtle Gucci logo completes the style.
Retro and contemporary styles come together in this pair of tortoiseshell navigator frames inspired by Italian sunglasses from the '80s. Featuring a special hinge called 'flex' to enhance the temples with extra flexibility, the design is enriched by Gucci rivets on the front and a logo detail on the side.
Archival codes mix to create hybrid designs. This pair of black injection sunglasses is enriched by the Horsebit, a homage to the House's equestrian heritage. Here the detail features as a part of a fork construction on retro-inspired gold metal temples, while black tips and a gradient grey lens add a contemporary feel.
'80s inspired with a vintage feel, these sunglasses are characterized by a detachable gold metal chain. The emblematic Interlocking G continues to be a distinguishing feature of Gucci's collections. Here it appears as a cut-out detail on the side of black injection temples.
'80s inspired with a vintage feel, these sunglasses are characterized by a detachable gold metal chain. The emblematic Interlocking G continues to be a distinguishing feature of Gucci's collections. Here it appears as a cut-out detail on the side of black injection temples.
Retro '80s inspired details are reflected in these rectangular-frame sunglasses, characterized by the emblematic Interlocking G. The logo continues to be a distinguishing feature of Gucci's collections and appears here as a contrasting gold cut-out detail on the side of black injection temples.
Retro '80s inspired details are reflected in these rectangular-frame sunglasses, characterized by the emblematic Interlocking G. The logo continues to be a distinguishing feature of Gucci's collections and appears here as a contrasting gold cut-out detail on the side of black injection temples.
Retro '80s inspired details are reflected in these rectangular-frame sunglasses, characterized by the emblematic Interlocking G. The logo continues to be a distinguishing feature of Gucci's collections and appears here as a contrasting gold cut-out detail on the side of black injection temples.
Emblematic looks from the first Alessandro Michele collection are presented again for the Ouverture collection and create a link to Gucci’s rich history. Presented in orange and yellow gradient acetate, these rectangular-frame sunglasses feature a sophisticated reinterpretation of the Web, crafted from green and red acetate layers, placed on the temples...
The pince-nez style, meaning “pinch nose”, was a way to hold up glasses without earpieces during the 19th Century. Imbued with a distinctly vintage feel, this pair of sunglasses feature a detachable gold metal chain and gold pince-nez piece. The solid grey lens complete the style, adding a retro element to the whimsical design.
Detachable raccoon shaped pendants add a playful feel to these lightweight sunglasses. Crafted from shiny gold-toned metal, a removable gold chain infuses the design with a vintage feel.
Detachable elements combine vintage and contemporary influences to infuse this pair of sunglasses with a versatile feel. Appearing as charms that can be removed, Interlocking G strawberries channel the House's playful spirit, while a delicate gold chain references designs from eras past.
A whimsical evolution of the classic cat-eye–a silhouette that started to take shape in the late ‘50s. Reimagined in a more modern shape, encrusted crystals play into the geometric frame with references to optical art.
Presented for the Ouverture collection, the round sunglasses are imbued with a retro inspired feel. Encrusted with crystals and crafted from gold metal, the frame is complemented by violet lenses.
A whimsical evolution of the classic cat-eye–a silhouette that started to take shape in the late ‘50s. Reimagined with a textured approach, encrusted crystals play into the geometric frame with references to optical art.
These black acetate sunglasses are covered with sparkling crystals, and contrasting pink lenses, for an unexpected finish.