The Fashion Between Revolution and The Ancient Regime
Identity
Lee Alexander McQueen was born in 1969 and began working at sixteen, learning the basics of the fashion industry in Savile Row and, later, in Milan, from Romeo Gigli.
After the experience in Italy, he decided to complete his training by attending the Saint Martin's School of Art in London and in 1992 he founded his Fashion House, obtaining immediate support and recognition from the greatest icons of British fashion.
From 1996 to 2001 he worked as creative director of Givenchy, a Maison where he wasn’t able to express his creativity. Moreover, during these years, he tried to practice experimentation and redefinition of the stylistic canons of the brand.
Thanks to this period the designer became well known for his transgressive and shocking fashion shows.
To the point of being called "fashion hooligan".
The Maison Alexander McQueen stands out for being an innovative and uncompromising expression of overwhelming creativity.
Today, the Maison is synonymous with contemporary British Haute Couture.
The main sources of inspiration for the brand are the history of Great Britain and nature.
Through a constant exploration of the natural world, the Maison uses the values of the English rural tradition.
As well as a certain sense of community and handmade, while expanding the boundaries of fashion.
The juxtaposition of feminine and masculine, strength and fragility, romanticism and rebellion, man and machine are an integral part of the culture of Alexander McQueen.
He was loved by many stars for his extravagance and originality; his philosophy was also followed by Sarah Burton.
Actual creative director of the Maison, who took the lead after the designer’s death.
She also designed the wedding dress of the Duchess of Cambridge for the wedding with William.
Thanks to bustiers, dark elements and Gothic patterns, Alexander McQueen strengthened his creativity with a clever technique of cutting and building in modeling, paving the way for new tailoring experiments.
The Fashion Between Revolution and The Ancient Regime
Identity
Lee Alexander McQueen was born in 1969 and began working at sixteen, learning the basics of the fashion industry in Savile Row and, later, in Milan, from Romeo Gigli.
After the experience in Italy, he decided to complete his training by attending the Saint Martin's School of Art in London and in 1992 he founded his Fashion House, obtaining immediate support and recognition from the greatest icons of British fashion.
From 1996 to 2001 he worked as creative director of Givenchy, a Maison where he wasn’t able to express his creativity. Moreover, during these years, he tried to practice experimentation and redefinition of the stylistic canons of the brand.
Thanks to this period the designer became well known for his transgressive and shocking fashion shows.
To the point of being called "fashion hooligan".
The Maison Alexander McQueen stands out for being an innovative and uncompromising expression of overwhelming creativity.
Today, the Maison is synonymous with contemporary British Haute Couture.
The main sources of inspiration for the brand are the history of Great Britain and nature.
Through a constant exploration of the natural world, the Maison uses the values of the English rural tradition.
As well as a certain sense of community and handmade, while expanding the boundaries of fashion.
The juxtaposition of feminine and masculine, strength and fragility, romanticism and rebellion, man and machine are an integral part of the culture of Alexander McQueen.
He was loved by many stars for his extravagance and originality; his philosophy was also followed by Sarah Burton.
Actual creative director of the Maison, who took the lead after the designer’s death.
She also designed the wedding dress of the Duchess of Cambridge for the wedding with William.
Thanks to bustiers, dark elements and Gothic patterns, Alexander McQueen strengthened his creativity with a clever technique of cutting and building in modeling, paving the way for new tailoring experiments.
Shiny antique pink acetate sunglasses featuring a cat-eye construction with gradient grey lenses. Finished with a contrasting darker pink McQueen Graffiti printed signature on one temple only.
Shiny black cat-eye acetate sunglasses featuring smoke lenses. Finished with shiny silver metal temples and shiny black acetate tips and the McQueen Graffiti signature in black on both sides.
Shiny black acetate sunglasses featuring an oval construction with gradient grey lenses. Finished with a contrasting white McQueen Graffiti printed signature on one temple only.
Shiny black acetate sunglasses featuring an oval construction with gradient grey lenses. Finished with a contrasting white McQueen Graffiti printed signature on one temple only.
Shiny ivory acetate sunglasses featuring an oval construction with gradient dark yellow lenses. Finished with a contrasting black McQueen Graffiti printed signature on one temple only.
Shiny black acetate sunglasses featuring a round construction with smoke lenses. Finished with a contrasting red McQueen Graffiti printed signature on one temple only.
Shiny vintage pink acetate sunglasses featuring a round construction with gradient grey lenses. Finished with a contrasting darker pink McQueen Graffiti printed signature on one temple only.
Shiny black acetate sunglasses featuring a square construction with gradient grey lenses. Finished with a contrasting white McQueen Graffiti printed signature on one temple only.
Shiny burgundy acetate sunglasses featuring a square construction with gradient brown lenses. Finished with a contrasting pink McQueen Graffiti printed signature on one temple only.
Light gold metal oversized butterfly sunglasses fitted with gradient cyclamen lenses. The frames feature a piercing nose bridge and have fine metallic temples, finished with the lasered tone on tone Alexander McQueen signature.
Shiny black acetate sunglasses featuring a cat-eye construction with black and red bi-layer temples and solid smoke lenses. Finished with a printed Alexander McQueen signature on the temples.
Shiny black acetate sunglasses featuring a soft cat-eye construction with black and red bi-layer temples and solid smoke lenses. Finished with a printed Alexander McQueen signature on the temples.
Black acetate sunglasse fitted with smoke lenses inside a rounded construction. The sunglasses are finished with skull droplet embellishment and swarovski crystals on the temples and with a lasered Alexander McQueen signature on end-tips.
Antique gold metal hexagonal sunglasses fitted with gradient grey lenses. The sunglasses are finished with skull droplet embellishment and swarovski crystals on the temples, and with a lasered Alexander McQueen signature on the end-tips.
Shiny dark ruthenium geometrical metal sunglasses fitted with smoke lenses. Finished with skulls on the temples placed on the hinges and a lasered tone on tone Alexander McQueen signature.
Shiny rose gold geometrical metal sunglasses fitted with sage lenses. Finished with skulls on the temples placed on the hinges and a lasered tone on tone Alexander McQueen signature.
Shiny light gold geometrical metal sunglasses fitted with brown lenses. Finished with skulls on the temples placed on the hinges and a lasered tone on tone Alexander McQueen signature.
Shiny black acetate sunglasses fitted with solid smoke lenses. The sunglasses have a slashed shape with a half-rim frame and are finished with the McQueen Graffiti contrasting logo printed on one temple only.
Shiny light blue acetate sunglasses fitted with mirrored tonal lenses. The sunglasses have a slashed shape with a half-rim frame and are finished with the McQueen Graffiti contrasting logo printed on one temple only.
Shiny white acetate sunglasses fitted with solid cyclamen lenses. The sunglasses have a slashed shape with a half-rim frame and are finished with the McQueen Graffiti contrasting logo printed on one temple only.
Shiny black acetate sunglasses fitted with mirrored green lenses. The sunglasses have a square shape with a semi-rim frame and are finished with the military green McQueen Graffiti contrasting logo printed on one temple only.