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A New Definition of Luxury
History
Guccio Gucci, born in 1881, nurtured the desire to unite the skilled Italian artisans with that sophisticated and typically English vision of luxury that he had enjoyed during his employment at the Savoy Hotel in London.
After working for the company Franzi in Milan, he founded a leather goods company in Florence in 1921 with a luggage shop.
In the 30s, his gloves, belts, suitcases and trunks were the exclusive Italian souvenir, ideal for ladies of the beautiful international world.
Riding articles, from which the iconic elements of the clamp and the bracket were taken over in the 50s, represented the right mix between accuracy of details and exquisite workmanship.
The autarchic years of the fascist dictatorship were unscathed, when the Gucci production had to fall back on hemp, on which the diamond, jute and linen motif was woven, the brand showed a strong rise, so much so that in 1938 the Roman boutique was inaugurated in Via Condotti.
In the shortage of post-war materials, in 1947 an iconic bag was created for Gucci, the Bamboo, with the handle of the same material, dark and folded, with the same closure.
Meanwhile, the brand had become synonymous with luxury and quality, the label was successful overseas, when in addition to Milan was opened the first store in New York.
In the same period, the Fifties, the green-red-green striped texture was elaborated and, subsequently, also blue-red-blue, in cotton or wool, inspired by the flank billet of the saddles.
After the death of the founder in 1953, the reins of the brand passed to his sons Aldo, Vasco, Ugo and Rodolfo who contributed intensely to the development of the fashion house. Gucci boutiques were growing all over the world: London, Palm Beach, Paris and Beverly Hills, then Chicago and the East from the 70s.
That combination of the international jet set world and the maison began, which would have decreed some Gucci accessories as icons of our times.
Jackie Kennedy used to use a model of a shoulder bag with a clasp closure and a central weft, since then better known as "Jackie O".
Audrey Hepburn, Maria Callas and the Duchess of Windsor wore Gucci products, while Elisabeth Taylor or Samuel Beckett preferred the unisex "Hobo" bag.
It belongs to the mid-1960s the iconic symbol of the two crossed Gs, used to close the bags and then, in monogram, on a cotton canvas called GG Canvas. In the 70s the development of prêt-à-porter took place, favored by the opening of a large factory in Scandicci.
Silk shirts on which the two G logo was printed or with red and blue Gucci motif crossed with horsebit. While jackets with logo buttons or precious reptile overcoats were the must have of the fashion house.
In 1981 Gucci staged his first fashion show in Florence, and the year after the house was handed over to Maurizio, Rodolfo's son. Meanwhile, another cult piece, the moccasin with the clamp, the classic loafer, was added to the permanent collection of the Costume Institute of the Metropolitan Museum in New York.
After the transfer in 1993 of his shareholding to the Anglo-Arab company Investcorp, Maurizio exits the company which, after being listed on the stock market in 1995, is rewarded for his performances as the best European company in 1998.
In the second half of the Nineties, the luster of the label was rediscovered thanks to the duo Domenico De Sole - Tom Ford. The former, managing director since 1995, the second became creative director of Gucci in 1994, after taking care of the women's line.
For the next ten years, he built into the company’s traditional image a provocative and bold style that immediately echoed throughout the world of fashion. Pointed heels and low-cut dresses in jersey with metal detailing instantly became the symbol of Tom Ford’s seductive and glamorous vision.
After Tom Ford’s departure from the fashion house in 2004, former director of the brand’s accessory line Frida Giannini was promoted to the company’s sole creative director in 2006.
The designer reinterpreted the heritage that her predecessors established creating a fusion of past and present, of history and modernity.
Influential, innovative and progressive, Gucci is reinventing a wholly modern approach to fashion.
Under the new vision of creative director Alessandro Michele, the House has redefined luxury for the 21st century, further reinforcing its position as one of the world’s most desirable fashion houses.
Eclectic, contemporary, romantic, Gucci products represent the pinnacle of Italian craftsmanship and are unsurpassed for their quality and attention to detail.
A New Definition of Luxury
History
Guccio Gucci, born in 1881, nurtured the desire to unite the skilled Italian artisans with that sophisticated and typically English vision of luxury that he had enjoyed during his employment at the Savoy Hotel in London.
After working for the company Franzi in Milan, he founded a leather goods company in Florence in 1921 with a luggage shop.
In the 30s, his gloves, belts, suitcases and trunks were the exclusive Italian souvenir, ideal for ladies of the beautiful international world.
Riding articles, from which the iconic elements of the clamp and the bracket were taken over in the 50s, represented the right mix between accuracy of details and exquisite workmanship.
The autarchic years of the fascist dictatorship were unscathed, when the Gucci production had to fall back on hemp, on which the diamond, jute and linen motif was woven, the brand showed a strong rise, so much so that in 1938 the Roman boutique was inaugurated in Via Condotti.
In the shortage of post-war materials, in 1947 an iconic bag was created for Gucci, the Bamboo, with the handle of the same material, dark and folded, with the same closure.
Meanwhile, the brand had become synonymous with luxury and quality, the label was successful overseas, when in addition to Milan was opened the first store in New York.
In the same period, the Fifties, the green-red-green striped texture was elaborated and, subsequently, also blue-red-blue, in cotton or wool, inspired by the flank billet of the saddles.
After the death of the founder in 1953, the reins of the brand passed to his sons Aldo, Vasco, Ugo and Rodolfo who contributed intensely to the development of the fashion house. Gucci boutiques were growing all over the world: London, Palm Beach, Paris and Beverly Hills, then Chicago and the East from the 70s.
That combination of the international jet set world and the maison began, which would have decreed some Gucci accessories as icons of our times.
Jackie Kennedy used to use a model of a shoulder bag with a clasp closure and a central weft, since then better known as "Jackie O".
Audrey Hepburn, Maria Callas and the Duchess of Windsor wore Gucci products, while Elisabeth Taylor or Samuel Beckett preferred the unisex "Hobo" bag.
It belongs to the mid-1960s the iconic symbol of the two crossed Gs, used to close the bags and then, in monogram, on a cotton canvas called GG Canvas. In the 70s the development of prêt-à-porter took place, favored by the opening of a large factory in Scandicci.
Silk shirts on which the two G logo was printed or with red and blue Gucci motif crossed with horsebit. While jackets with logo buttons or precious reptile overcoats were the must have of the fashion house.
In 1981 Gucci staged his first fashion show in Florence, and the year after the house was handed over to Maurizio, Rodolfo's son. Meanwhile, another cult piece, the moccasin with the clamp, the classic loafer, was added to the permanent collection of the Costume Institute of the Metropolitan Museum in New York.
After the transfer in 1993 of his shareholding to the Anglo-Arab company Investcorp, Maurizio exits the company which, after being listed on the stock market in 1995, is rewarded for his performances as the best European company in 1998.
In the second half of the Nineties, the luster of the label was rediscovered thanks to the duo Domenico De Sole - Tom Ford. The former, managing director since 1995, the second became creative director of Gucci in 1994, after taking care of the women's line.
For the next ten years, he built into the company’s traditional image a provocative and bold style that immediately echoed throughout the world of fashion. Pointed heels and low-cut dresses in jersey with metal detailing instantly became the symbol of Tom Ford’s seductive and glamorous vision.
After Tom Ford’s departure from the fashion house in 2004, former director of the brand’s accessory line Frida Giannini was promoted to the company’s sole creative director in 2006.
The designer reinterpreted the heritage that her predecessors established creating a fusion of past and present, of history and modernity.
Influential, innovative and progressive, Gucci is reinventing a wholly modern approach to fashion.
Under the new vision of creative director Alessandro Michele, the House has redefined luxury for the 21st century, further reinforcing its position as one of the world’s most desirable fashion houses.
Eclectic, contemporary, romantic, Gucci products represent the pinnacle of Italian craftsmanship and are unsurpassed for their quality and attention to detail.
Presented in silver-toned metal, these aviator glasses are designed with a mother of pearl effect acetate detail enhancing the top bar. Transparent lenses complement the timeless design.
A pair of oversize sunglasses, reminiscent of the Seventies’ maxi shapes and softened by gradient lens. For Cruise 2019, the sophisticated design is presented in tortoiseshell acetate with shaded brown lenses. Black.
Eclectic evolution of the classic model, sunglasses make their first appearance in the 50s. Reimagined in a futuristic way, the geometric shape is enriched with references to pop culture and Optical Art. These retro-inspired glasses add an eccentric note to the looks of the new collection. Black Acetate Blue Lens.
A gold-colored metal frame defines these rectangular sunglasses, in a delicate play of contrasts with gray lenses. The temples with fork terminals are enriched with the GG detail - the historic logo of the Maison, formed by the initials of the founder Guccio Gucci.
A glimmering pair of sunglasses, with a silver-toned metal oval frame and temples, are encrusted with white crystals. A subtle detail, the Interlocking G logo further enriches the temples.
Eclectic evolution of the classic model, sunglasses make their first appearance in the 50s. Reimagined in a futuristic way, the geometric shape is enriched with references to pop culture and Optical Art. These retro-inspired glasses add an eccentric note to the looks of the new collection. Gold with Web Detail Round.
Eclectic evolution of the classic model, sunglasses make their first appearance in the 50s. Reimagined in a futuristic way, the geometric shape is enriched with references to pop culture and Optical Art. These retro-inspired glasses add an eccentric note to the looks of the new collection. Pineapple.
Eclectic evolution of the classic model, sunglasses make their first appearance in the 50s. Reimagined in a futuristic way, the geometric shape is enriched with references to pop culture and Optical Art. These retro-inspired glasses add an eccentric note to the looks of the new collection. Gold.
Eclectic evolution of the classic model, sunglasses make their first appearance in the 50s. Reimagined in a futuristic way, the geometric shape is enriched with references to pop culture and Optical Art. These retro-inspired glasses add an eccentric note to the looks of the new collection. Light Turtle Acetate Rectangular.
A playful mix of volumes and materials, the feminine square sunglasses feature a wide acetate frame and thin metal temples. An emblematic code of the House, the Interlocking G stands on the round detail finishing the fork shaped temple tips.
Designed with a bold, refined frame, the square sunglasses have a contemporary feel that blends the boundaries between masculine and feminine looks. Crafted from shiny red tortoiseshell acetate, the statement shape is enhanced by the oversize Interlocking G logo in gold-toned metal placed on the temples. A sophisticated play on the classic eyeglass chain.
Eclectic evolution of the classic mask model, sunglasses make their first appearance in the 50s. Reimagined in a futuristic way, the geometric shape is enriched with references to pop culture and Optical Art. These retro-inspired mask glasses add an eccentric note to the look of the new collection. Red.
Vintage shapes and '80s inspired details are reflected on a new design presented for Cruise 2019, embodying the spirit of Miami Beach. Originally thought to protect the wearer from excessive exposure to brightness or wind, glass side blinkers match the lens and add an unexpected feel to the square shaped sunglasses. Dark Tortoiseshell Acetate.
Eclectic evolution of the classic model, sunglasses make their first appearance in the 50s. Reimagined in a futuristic way, the geometric shape is enriched with references to pop culture and Optical Art. These retro-inspired glasses add an eccentric note to the looks of the new collection. Gold coloured with Turtle Acetate Oversized.
These tortoiseshell acetate sunglasses are covered with sparkling crystals, and gold-toned micro studs, for a glimmering finish. A sophisticated play on the classic eyeglass chain, the temple tips feature a cut-out segment that allows the wearer to insert a twill neck bow, allowing these sunglasses to be carried around the neck.
Eclectic evolution of the classic model, sunglasses make their first appearance in the 50s. Reimagined in a futuristic way, the geometric shape is enriched with references to pop culture and Optical Art. These retro-inspired glasses add an eccentric note to the looks of the new collection. Gold with Pink and White Toe Round.
A gold-colored metal frame defines these rectangular sunglasses, in a delicate play of contrasts with blue-violet lenses. The temples with fork terminals are enriched with the GG detail - the historic logo of the Maison, formed by the initials of the founder Guccio Gucci.
Eclectic evolution of the classic model, sunglasses make their first appearance in the 50s. Reimagined in a futuristic way, the geometric shape is enriched with references to pop culture and Optical Art. These retro-inspired glasses add an eccentric note to the looks of the new collection. Polished Black Acetate Rectangular.
Eclectic evolution of the classic model, sunglasses make their first appearance in the 50s. Reimagined in a futuristic way, the geometric shape is enriched with references to pop culture and Optical Art. These retro-inspired glasses add an eccentric note to the looks of the new collection. Gold Coloured Shaded Brown Lenses Aviator.
Eclectic evolution of the classic model, sunglasses make their first appearance in the 50s. Reimagined in a futuristic way, the geometric shape is enriched with references to pop culture and Optical Art. These retro-inspired glasses add an eccentric note to the looks of the new collection. Black Acetate Rectangular.
A playful mix of volumes and materials, the feminine round sunglasses feature a wide acetate frame and thin metal temples. An emblematic code of the House, the Interlocking G stands on the round detail finishing the fork shaped temple tips.