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A New Definition of Luxury
History
Guccio Gucci, born in 1881, nurtured the desire to unite the skilled Italian artisans with that sophisticated and typically English vision of luxury that he had enjoyed during his employment at the Savoy Hotel in London.
After working for the company Franzi in Milan, he founded a leather goods company in Florence in 1921 with a luggage shop.
In the 30s, his gloves, belts, suitcases and trunks were the exclusive Italian souvenir, ideal for ladies of the beautiful international world.
Riding articles, from which the iconic elements of the clamp and the bracket were taken over in the 50s, represented the right mix between accuracy of details and exquisite workmanship.
The autarchic years of the fascist dictatorship were unscathed, when the Gucci production had to fall back on hemp, on which the diamond, jute and linen motif was woven, the brand showed a strong rise, so much so that in 1938 the Roman boutique was inaugurated in Via Condotti.
In the shortage of post-war materials, in 1947 an iconic bag was created for Gucci, the Bamboo, with the handle of the same material, dark and folded, with the same closure.
Meanwhile, the brand had become synonymous with luxury and quality, the label was successful overseas, when in addition to Milan was opened the first store in New York.
In the same period, the Fifties, the green-red-green striped texture was elaborated and, subsequently, also blue-red-blue, in cotton or wool, inspired by the flank billet of the saddles.
After the death of the founder in 1953, the reins of the brand passed to his sons Aldo, Vasco, Ugo and Rodolfo who contributed intensely to the development of the fashion house. Gucci boutiques were growing all over the world: London, Palm Beach, Paris and Beverly Hills, then Chicago and the East from the 70s.
That combination of the international jet set world and the maison began, which would have decreed some Gucci accessories as icons of our times.
Jackie Kennedy used to use a model of a shoulder bag with a clasp closure and a central weft, since then better known as "Jackie O".
Audrey Hepburn, Maria Callas and the Duchess of Windsor wore Gucci products, while Elisabeth Taylor or Samuel Beckett preferred the unisex "Hobo" bag.
It belongs to the mid-1960s the iconic symbol of the two crossed Gs, used to close the bags and then, in monogram, on a cotton canvas called GG Canvas. In the 70s the development of prêt-à-porter took place, favored by the opening of a large factory in Scandicci.
Silk shirts on which the two G logo was printed or with red and blue Gucci motif crossed with horsebit. While jackets with logo buttons or precious reptile overcoats were the must have of the fashion house.
In 1981 Gucci staged his first fashion show in Florence, and the year after the house was handed over to Maurizio, Rodolfo's son. Meanwhile, another cult piece, the moccasin with the clamp, the classic loafer, was added to the permanent collection of the Costume Institute of the Metropolitan Museum in New York.
After the transfer in 1993 of his shareholding to the Anglo-Arab company Investcorp, Maurizio exits the company which, after being listed on the stock market in 1995, is rewarded for his performances as the best European company in 1998.
In the second half of the Nineties, the luster of the label was rediscovered thanks to the duo Domenico De Sole - Tom Ford. The former, managing director since 1995, the second became creative director of Gucci in 1994, after taking care of the women's line.
For the next ten years, he built into the company’s traditional image a provocative and bold style that immediately echoed throughout the world of fashion. Pointed heels and low-cut dresses in jersey with metal detailing instantly became the symbol of Tom Ford’s seductive and glamorous vision.
After Tom Ford’s departure from the fashion house in 2004, former director of the brand’s accessory line Frida Giannini was promoted to the company’s sole creative director in 2006.
The designer reinterpreted the heritage that her predecessors established creating a fusion of past and present, of history and modernity.
Influential, innovative and progressive, Gucci is reinventing a wholly modern approach to fashion.
Under the new vision of creative director Alessandro Michele, the House has redefined luxury for the 21st century, further reinforcing its position as one of the world’s most desirable fashion houses.
Eclectic, contemporary, romantic, Gucci products represent the pinnacle of Italian craftsmanship and are unsurpassed for their quality and attention to detail.
A New Definition of Luxury
History
Guccio Gucci, born in 1881, nurtured the desire to unite the skilled Italian artisans with that sophisticated and typically English vision of luxury that he had enjoyed during his employment at the Savoy Hotel in London.
After working for the company Franzi in Milan, he founded a leather goods company in Florence in 1921 with a luggage shop.
In the 30s, his gloves, belts, suitcases and trunks were the exclusive Italian souvenir, ideal for ladies of the beautiful international world.
Riding articles, from which the iconic elements of the clamp and the bracket were taken over in the 50s, represented the right mix between accuracy of details and exquisite workmanship.
The autarchic years of the fascist dictatorship were unscathed, when the Gucci production had to fall back on hemp, on which the diamond, jute and linen motif was woven, the brand showed a strong rise, so much so that in 1938 the Roman boutique was inaugurated in Via Condotti.
In the shortage of post-war materials, in 1947 an iconic bag was created for Gucci, the Bamboo, with the handle of the same material, dark and folded, with the same closure.
Meanwhile, the brand had become synonymous with luxury and quality, the label was successful overseas, when in addition to Milan was opened the first store in New York.
In the same period, the Fifties, the green-red-green striped texture was elaborated and, subsequently, also blue-red-blue, in cotton or wool, inspired by the flank billet of the saddles.
After the death of the founder in 1953, the reins of the brand passed to his sons Aldo, Vasco, Ugo and Rodolfo who contributed intensely to the development of the fashion house. Gucci boutiques were growing all over the world: London, Palm Beach, Paris and Beverly Hills, then Chicago and the East from the 70s.
That combination of the international jet set world and the maison began, which would have decreed some Gucci accessories as icons of our times.
Jackie Kennedy used to use a model of a shoulder bag with a clasp closure and a central weft, since then better known as "Jackie O".
Audrey Hepburn, Maria Callas and the Duchess of Windsor wore Gucci products, while Elisabeth Taylor or Samuel Beckett preferred the unisex "Hobo" bag.
It belongs to the mid-1960s the iconic symbol of the two crossed Gs, used to close the bags and then, in monogram, on a cotton canvas called GG Canvas. In the 70s the development of prêt-à-porter took place, favored by the opening of a large factory in Scandicci.
Silk shirts on which the two G logo was printed or with red and blue Gucci motif crossed with horsebit. While jackets with logo buttons or precious reptile overcoats were the must have of the fashion house.
In 1981 Gucci staged his first fashion show in Florence, and the year after the house was handed over to Maurizio, Rodolfo's son. Meanwhile, another cult piece, the moccasin with the clamp, the classic loafer, was added to the permanent collection of the Costume Institute of the Metropolitan Museum in New York.
After the transfer in 1993 of his shareholding to the Anglo-Arab company Investcorp, Maurizio exits the company which, after being listed on the stock market in 1995, is rewarded for his performances as the best European company in 1998.
In the second half of the Nineties, the luster of the label was rediscovered thanks to the duo Domenico De Sole - Tom Ford. The former, managing director since 1995, the second became creative director of Gucci in 1994, after taking care of the women's line.
For the next ten years, he built into the company’s traditional image a provocative and bold style that immediately echoed throughout the world of fashion. Pointed heels and low-cut dresses in jersey with metal detailing instantly became the symbol of Tom Ford’s seductive and glamorous vision.
After Tom Ford’s departure from the fashion house in 2004, former director of the brand’s accessory line Frida Giannini was promoted to the company’s sole creative director in 2006.
The designer reinterpreted the heritage that her predecessors established creating a fusion of past and present, of history and modernity.
Influential, innovative and progressive, Gucci is reinventing a wholly modern approach to fashion.
Under the new vision of creative director Alessandro Michele, the House has redefined luxury for the 21st century, further reinforcing its position as one of the world’s most desirable fashion houses.
Eclectic, contemporary, romantic, Gucci products represent the pinnacle of Italian craftsmanship and are unsurpassed for their quality and attention to detail.
The Interlocking G—an emblem of the House logo—appears as a miniature detail on this optical frame's temples. Crafted from shiny black acetate with a defined shape, the heritage symbol enhances the style's vintage mood. Archival details continue to evolve for a subtle logo presence throughout Gucci's latest collection.
These square-shaped optical frame channels the collection's retro influences with an oversized shape and tortoiseshell motif. The accessory is further enhanced by contrast details and a miniature version of the House's Interlocking G hardware—a subtle nod to the Founder of the brand, Guccio Gucci.
This square-shaped optical frames channels the collection's retro influences with an oversized shape. The accessory is further enhanced by gold-toned accents and a miniature version of the House's Interlocking G hardware—a subtle nod to the Founder of the brand, Guccio Gucci.
A contemporary evolution of the classic cat-eye—a silhouette that took shape in the late ‘50s. This shiny tortoiseshell acetate construction is characterized by gold-toned Gucci rivets and lettering, while a yellow lens completes the design.
These rectangular frames, crafted from acetate, have a distinctly vintage feel. The flamed tortoiseshell pattern is the defining feature, with gold-toned metal details enriching the style further. Gucci lettering appears on the temples as a subtle nod to the House.
Featuring thick black acetate frames, this pair of rectangular sunglasses is inspired by 90s fashion. The wide side temples are embellished with rivets and the delicate Gucci lettering engraved.
A pair of rectangular frames crafted from tortoiseshell acetate. The gold metal temples and contrasting tips in ivory and tortoiseshell acetate add a vintage feel to the design, while the Gucci logo completes the style.
Characterized by thick tortoiseshell acetate frames, this pair of rectangular sunglasses have a '90s feel. The wide temples are decorated with Gucci rivets and the name of the House appears as delicate engraved lettering.
Imbued with a distinctly retro feel, this pair of navigator-frame sunglasses feature a detachable gold metal chain and top bar. A cut-out Interlocking G decorates the gold-toned metal temples, while the brown lens completes the style with a vintage vibe.
A pair of rectangular frames crafted from black acetate with dark ruthenium temples. These black sunglasses have a green and red Web detail giving a subtle nod to the House’s heritage, while the Gucci logo completes the style.
Taking direct inspiration from the '80s, this pilot-style design is characterized by a double layered transparent blue acetate front and contrasting brown acetate temples. The name of the House appears as a subtle logo detail on the side.
Taking direct inspiration from the '80s, this pilot-style acetate frame has both a contemporary and retro feel. The name of the House appears as a subtle logo detail on the side.
This optical frame has a shiny gold metal front, contrasted by matte black enamel temples and transparent light yellow tips. Crafted with a Navigator shape, the style recalls retro designs.
Recalling retro glasses, this navigator style optical frame has a shiny silver metal front. Enameled temples and transparent yellow tips enrich the style further with a defined vintage feel. The House's design narrative continues to find inspiration in designs from other eras.
Crafted from acetate, this rectangular-shape optical frame is characterized by a shiny black front and temples. The name of the House appears as a petite detail on the temples, enriching the design with a logo feel.
Retro '80s inspired details are reflected in this oval-shape optical frame. The shiny gold metal front and temples contrast with light tortoiseshell tips, enhancing the style's vintage feel. The name of the House appears as a subtle logo detail on the side.
This square-shape optical frame is characterized by a shiny dark tortoiseshell acetate front. Inspired by the equestrian world, the blue and red Web is paired with the name of the House adding a subtle logo twist to the temples.
This square-shape optical frame is characterized by a shiny black acetate front. Inspired by the equestrian world, the green and red Web is paired with the name of the House adding a subtle logo twist to the temples.
This rectangle-shape optical frame is reminiscent of retro styles. The front and temples are crafted from a shiny double layered transparent acetate in complementing taupe and beige acetate, while the logo appears as a subtle detail on the side.
This rectangle-shape optical frame is reminiscent of retro styles. The design is characterized by a contrasting shiny black acetate front and double layered black and transparent yellow acetate temples. The name of the House appears as a subtle logo detail on the side.
This square-shape optical frame is reminiscent of the '70s, a hallmark era of the House. The design is characterized by a complementing shiny green acetate front and double layered transparent olive and light green temples. The name of the House appears as a subtle logo detail on the side.