A New Definition of Luxury
History
Guccio Gucci, born in 1881, nurtured the desire to unite the skilled Italian artisans with that sophisticated and typically English vision of luxury that he had enjoyed during his employment at the Savoy Hotel in London.
After working for the company Franzi in Milan, he founded a leather goods company in Florence in 1921 with a luggage shop.
In the 30s, his gloves, belts, suitcases and trunks were the exclusive Italian souvenir, ideal for ladies of the beautiful international world.
Riding articles, from which the iconic elements of the clamp and the bracket were taken over in the 50s, represented the right mix between accuracy of details and exquisite workmanship.
The autarchic years of the fascist dictatorship were unscathed, when the Gucci production had to fall back on hemp, on which the diamond, jute and linen motif was woven, the brand showed a strong rise, so much so that in 1938 the Roman boutique was inaugurated in Via Condotti.
In the shortage of post-war materials, in 1947 an iconic bag was created for Gucci, the Bamboo, with the handle of the same material, dark and folded, with the same closure.
Meanwhile, the brand had become synonymous with luxury and quality, the label was successful overseas, when in addition to Milan was opened the first store in New York.
In the same period, the Fifties, the green-red-green striped texture was elaborated and, subsequently, also blue-red-blue, in cotton or wool, inspired by the flank billet of the saddles.
After the death of the founder in 1953, the reins of the brand passed to his sons Aldo, Vasco, Ugo and Rodolfo who contributed intensely to the development of the fashion house. Gucci boutiques were growing all over the world: London, Palm Beach, Paris and Beverly Hills, then Chicago and the East from the 70s.
That combination of the international jet set world and the maison began, which would have decreed some Gucci accessories as icons of our times.
Jackie Kennedy used to use a model of a shoulder bag with a clasp closure and a central weft, since then better known as "Jackie O".
Audrey Hepburn, Maria Callas and the Duchess of Windsor wore Gucci products, while Elisabeth Taylor or Samuel Beckett preferred the unisex "Hobo" bag.
It belongs to the mid-1960s the iconic symbol of the two crossed Gs, used to close the bags and then, in monogram, on a cotton canvas called GG Canvas. In the 70s the development of prêt-à-porter took place, favored by the opening of a large factory in Scandicci.
Silk shirts on which the two G logo was printed or with red and blue Gucci motif crossed with horsebit. While jackets with logo buttons or precious reptile overcoats were the must have of the fashion house.
In 1981 Gucci staged his first fashion show in Florence, and the year after the house was handed over to Maurizio, Rodolfo's son. Meanwhile, another cult piece, the moccasin with the clamp, the classic loafer, was added to the permanent collection of the Costume Institute of the Metropolitan Museum in New York.
After the transfer in 1993 of his shareholding to the Anglo-Arab company Investcorp, Maurizio exits the company which, after being listed on the stock market in 1995, is rewarded for his performances as the best European company in 1998.
In the second half of the Nineties, the luster of the label was rediscovered thanks to the duo Domenico De Sole - Tom Ford. The former, managing director since 1995, the second became creative director of Gucci in 1994, after taking care of the women's line.
For the next ten years, he built into the company’s traditional image a provocative and bold style that immediately echoed throughout the world of fashion. Pointed heels and low-cut dresses in jersey with metal detailing instantly became the symbol of Tom Ford’s seductive and glamorous vision.
After Tom Ford’s departure from the fashion house in 2004, former director of the brand’s accessory line Frida Giannini was promoted to the company’s sole creative director in 2006.
The designer reinterpreted the heritage that her predecessors established creating a fusion of past and present, of history and modernity.
Influential, innovative and progressive, Gucci is reinventing a wholly modern approach to fashion.
Under the new vision of creative director Alessandro Michele, the House has redefined luxury for the 21st century, further reinforcing its position as one of the world’s most desirable fashion houses.
Eclectic, contemporary, romantic, Gucci products represent the pinnacle of Italian craftsmanship and are unsurpassed for their quality and attention to detail.
A New Definition of Luxury
History
Guccio Gucci, born in 1881, nurtured the desire to unite the skilled Italian artisans with that sophisticated and typically English vision of luxury that he had enjoyed during his employment at the Savoy Hotel in London.
After working for the company Franzi in Milan, he founded a leather goods company in Florence in 1921 with a luggage shop.
In the 30s, his gloves, belts, suitcases and trunks were the exclusive Italian souvenir, ideal for ladies of the beautiful international world.
Riding articles, from which the iconic elements of the clamp and the bracket were taken over in the 50s, represented the right mix between accuracy of details and exquisite workmanship.
The autarchic years of the fascist dictatorship were unscathed, when the Gucci production had to fall back on hemp, on which the diamond, jute and linen motif was woven, the brand showed a strong rise, so much so that in 1938 the Roman boutique was inaugurated in Via Condotti.
In the shortage of post-war materials, in 1947 an iconic bag was created for Gucci, the Bamboo, with the handle of the same material, dark and folded, with the same closure.
Meanwhile, the brand had become synonymous with luxury and quality, the label was successful overseas, when in addition to Milan was opened the first store in New York.
In the same period, the Fifties, the green-red-green striped texture was elaborated and, subsequently, also blue-red-blue, in cotton or wool, inspired by the flank billet of the saddles.
After the death of the founder in 1953, the reins of the brand passed to his sons Aldo, Vasco, Ugo and Rodolfo who contributed intensely to the development of the fashion house. Gucci boutiques were growing all over the world: London, Palm Beach, Paris and Beverly Hills, then Chicago and the East from the 70s.
That combination of the international jet set world and the maison began, which would have decreed some Gucci accessories as icons of our times.
Jackie Kennedy used to use a model of a shoulder bag with a clasp closure and a central weft, since then better known as "Jackie O".
Audrey Hepburn, Maria Callas and the Duchess of Windsor wore Gucci products, while Elisabeth Taylor or Samuel Beckett preferred the unisex "Hobo" bag.
It belongs to the mid-1960s the iconic symbol of the two crossed Gs, used to close the bags and then, in monogram, on a cotton canvas called GG Canvas. In the 70s the development of prêt-à-porter took place, favored by the opening of a large factory in Scandicci.
Silk shirts on which the two G logo was printed or with red and blue Gucci motif crossed with horsebit. While jackets with logo buttons or precious reptile overcoats were the must have of the fashion house.
In 1981 Gucci staged his first fashion show in Florence, and the year after the house was handed over to Maurizio, Rodolfo's son. Meanwhile, another cult piece, the moccasin with the clamp, the classic loafer, was added to the permanent collection of the Costume Institute of the Metropolitan Museum in New York.
After the transfer in 1993 of his shareholding to the Anglo-Arab company Investcorp, Maurizio exits the company which, after being listed on the stock market in 1995, is rewarded for his performances as the best European company in 1998.
In the second half of the Nineties, the luster of the label was rediscovered thanks to the duo Domenico De Sole - Tom Ford. The former, managing director since 1995, the second became creative director of Gucci in 1994, after taking care of the women's line.
For the next ten years, he built into the company’s traditional image a provocative and bold style that immediately echoed throughout the world of fashion. Pointed heels and low-cut dresses in jersey with metal detailing instantly became the symbol of Tom Ford’s seductive and glamorous vision.
After Tom Ford’s departure from the fashion house in 2004, former director of the brand’s accessory line Frida Giannini was promoted to the company’s sole creative director in 2006.
The designer reinterpreted the heritage that her predecessors established creating a fusion of past and present, of history and modernity.
Influential, innovative and progressive, Gucci is reinventing a wholly modern approach to fashion.
Under the new vision of creative director Alessandro Michele, the House has redefined luxury for the 21st century, further reinforcing its position as one of the world’s most desirable fashion houses.
Eclectic, contemporary, romantic, Gucci products represent the pinnacle of Italian craftsmanship and are unsurpassed for their quality and attention to detail.
The Pre-Fall 2024 eyewear collection plays on signature colors in a refined silhouette. These rectangular shaped sunglasses present a shiny black frame, highlighting the temples and the tips in two different colors. In this style, the red acetate tips and solid dark green lenses recall the House's iconic colors.
The Pre-Fall 2024 eyewear collection successfully combines the coveted silhouettes of bygone decades with a contemporary logo feel. Here, a shiny black acetate frame pairs with a rivet detail and Gucci logo.
The Pre-Fall 2024 eyewear collection plays on signature colors in a refined silhouette. These rectangular shaped sunglasses present a shiny solid brown frame, highlighting the temples and the tips in two different colors. In this style, the dark tortoiseshell acetate tips and solid green lenses complement each other.
The Pre-Fall 2024 eyewear collection successfully combines the coveted silhouettes of bygone decades with a contemporary logo feel. Here, a brown tortoiseshell acetate frame pairs with a rivet detail and Gucci logo.
The Pre-Fall 2024 eyewear collection plays on signature colors in a refined silhouette. These rectangular shaped sunglasses present a shiny dark tortoiseshell frame, highlighting the temples and the tips in two different colors. In this style, the solid blue acetate tips and solid blue lenses complement each other.
Frames with unique silhouettes and logo details accompanied key looks during the latest collections. These sunglasses are defined by a rectangular shape in shiny black acetate with solid grey lenses. The Gucci logo appears as a subtle logo detail on the temples.
Frames with unique silhouettes and logo details accompanied key looks during the latest collections. These sunglasses are defined by a rectangular shape in dark brown acetate with solid brown lenses. The Gucci logo appears as a subtle logo detail on the temples.
Featured on the men's Fall Winter 2024 runway, these rectangular frame sunglasses are inspired by the 1990s wraparound style. Black acetate frame and temples are accented with the House logo, complete with grey lenses. The sleek silhouette perfectly complements any look.
Featured on the men's Fall Winter 2024 runway, these rectangular frame sunglasses are inspired by the 1990s wraparound style. Dark brown acetate frame and temples are accented with the House logo, complete with brown lenses. The sleek silhouette perfectly complements any look.
This pair of Gucci Rosso Ancora red sunglasses is crafted in shiny acetate. The rectangular-shaped frame is enhanced by the temples with a Gucci script detail, while the solid brown lenses complete the style.
Featured on the men's Fall Winter 2024 runway, these rectangular frames are inspired by the 1990s wraparound style. Appearing in black acetate with solid grey lenses, this pair of sunglasses is embellished with an allover GG crystal motif.
The Pre-Fall 2024 eyewear collection puts a twist on the iconic Web which adorns signature silhouettes. In this square style, a subtle silver-toned metal detail draws inspirations from the House motif, and completes the black acetate frame and temples.
The Pre-Fall 2024 eyewear collection puts a twist on the iconic Web which adorns signature silhouettes. In this square style, a subtle gold-toned metal detail draws inspirations from the House motif, and completes the dark tortoiseshell acetate frame and temples.
The Pre-Fall 2024 eyewear collection successfully combines the coveted silhouettes of bygone decades with a contemporary logo feel. Here, a shiny gold metal frame pairs with a Horsebit and Gucci logo.
For the Pre-Fall 2024 collection, archival elements are reinterpreted with a contemporary touch. Here, a black cat-eye injection frame is decorated with an Interlocking G cut-out detail on the temples.
For the Pre-Fall 2024 collection, archival elements are reinterpreted with a contemporary touch. Here, a black cat-eye injection frame is decorated with an Interlocking G cut-out detail on the temples.
The Pre-Fall 2024 eyewear collection successfully combines the coveted silhouettes of bygone decades with a contemporary logo feel. Here, a black geometric injection frame pairs with a Gucci logo detail.
The Pre-Fall 2024 eyewear collection successfully combines the coveted silhouettes of bygone decades with a contemporary logo feel. Here, a tortoiseshell geometric injection frame pairs with a Gucci logo detail.
The Cruise 2024 eyewear collection successfully combines the coveted silhouettes of bygone decades with a contemporary logo feel. Here, a tortoiseshell oval injection frame pairs with an Interlocking G cut out detail.
The Pre-Fall 2024 eyewear collection successfully combines the coveted silhouettes of bygone decades with a contemporary logo feel. Here, a shiny black injection frame pairs with a Square G motif.
The Pre-Fall 2024 eyewear collection successfully combines the coveted silhouettes of bygone decades with a contemporary logo feel. Here, a shiny dark tortoiseshell injection frame pairs with a Square G motif.