The Enfant Terrible of Haute Couture
“You must, if it's possible, be born with a kind of elegance. It's part of you, of yourself” − Hubert de Givenchy
History
Born in Beauvais, in northern France, in 1927, Hubert James Taffin de Givenchy left his hometown for Paris at the age of 17 to take an apprenticeship at a couture house.
He began at Jacques Fath while also studying drawing at the École Nationale Supérieure des Beaux-Arts, the French National School of Fine Art.
He moved to Robert Piguet in 1946 and, briefly, Lucien Lelong in 1947 before joining Elsa Schiaparelli later the same year. Quickly, he became the Artistic Director of the Schiaparelli boutique the Place Vendôme.
In 1952, Givenchy founded his namesake house on Rue Alfred de Vigny in the 8th arrondissement of Paris. For his first collection, he presented “Separates”, looks composed of elegant blouses and breezy skirts that blended architectural lines with the simplicity of the materials. The “enfant terrible of Haute Couture” was born.
This original point of view marked the resounding debut of a four-decade career at his own house. In the summer of 1953, the couturier met Audrey Hepburn, who borrowed several looks for her film Sabrina.
It was the beginning of a long collaboration and profound friendship between the actress and the designer. The same year, in New York, Givenchy met his idol, Cristobal Balenciaga, with whom he became close friends.
In 1957, Audrey Hepburn lent her face to Hubert de Givenchy’s first perfume, L’Interdit, which was dedicated to her. In 1969, the designer created his men’s ready-to-wear line “Givenchy Gentleman”. An aesthete and collector, Hubert de Givenchy still embodies classic elegance with a touch of wit.
After a career spanning more than 40 years, and having become a part of the LVMH group in 1988, Hubert de Givenchy retired in 1995. He would be succeeded by some of fashion’s great creative talents, among them John Galliano, Alexander McQueen, Julien MacDonald, and Riccardo Tisci. On March 10th 2018, Hubert de Givenchy passed away peacefully in Paris, aged 91.
Since spring 2017, Clare Waight Keller has been the artistic director of Haute Couture and women’s and men’s ready-to-wear. With her debut show, on October 1st 2017, Clare Waight Keller established a forward-looking new signature for the house of Givenchy based on the idea of Light in darkness.
On May 19th, 2018, for her wedding to Prince Harry, Ms. Meghan Markle, now the Duchess of Sussex, wore an elegant Givenchy Haute Couture boatneck wedding gown in double white silk cady with a hand- embroidered veil, both custom designed by artistic director Clare Waight Keller.
The Enfant Terrible of Haute Couture
“You must, if it's possible, be born with a kind of elegance. It's part of you, of yourself” − Hubert de Givenchy
History
Born in Beauvais, in northern France, in 1927, Hubert James Taffin de Givenchy left his hometown for Paris at the age of 17 to take an apprenticeship at a couture house.
He began at Jacques Fath while also studying drawing at the École Nationale Supérieure des Beaux-Arts, the French National School of Fine Art.
He moved to Robert Piguet in 1946 and, briefly, Lucien Lelong in 1947 before joining Elsa Schiaparelli later the same year. Quickly, he became the Artistic Director of the Schiaparelli boutique the Place Vendôme.
In 1952, Givenchy founded his namesake house on Rue Alfred de Vigny in the 8th arrondissement of Paris. For his first collection, he presented “Separates”, looks composed of elegant blouses and breezy skirts that blended architectural lines with the simplicity of the materials. The “enfant terrible of Haute Couture” was born.
This original point of view marked the resounding debut of a four-decade career at his own house. In the summer of 1953, the couturier met Audrey Hepburn, who borrowed several looks for her film Sabrina.
It was the beginning of a long collaboration and profound friendship between the actress and the designer. The same year, in New York, Givenchy met his idol, Cristobal Balenciaga, with whom he became close friends.
In 1957, Audrey Hepburn lent her face to Hubert de Givenchy’s first perfume, L’Interdit, which was dedicated to her. In 1969, the designer created his men’s ready-to-wear line “Givenchy Gentleman”. An aesthete and collector, Hubert de Givenchy still embodies classic elegance with a touch of wit.
After a career spanning more than 40 years, and having become a part of the LVMH group in 1988, Hubert de Givenchy retired in 1995. He would be succeeded by some of fashion’s great creative talents, among them John Galliano, Alexander McQueen, Julien MacDonald, and Riccardo Tisci. On March 10th 2018, Hubert de Givenchy passed away peacefully in Paris, aged 91.
Since spring 2017, Clare Waight Keller has been the artistic director of Haute Couture and women’s and men’s ready-to-wear. With her debut show, on October 1st 2017, Clare Waight Keller established a forward-looking new signature for the house of Givenchy based on the idea of Light in darkness.
On May 19th, 2018, for her wedding to Prince Harry, Ms. Meghan Markle, now the Duchess of Sussex, wore an elegant Givenchy Haute Couture boatneck wedding gown in double white silk cady with a hand- embroidered veil, both custom designed by artistic director Clare Waight Keller.
GV Squared women's sunglasses in acetate and metal, gray gradient lenses. 4G model engraved inside auctions. Sold in their rigid black rubber case.
GV Squared women's sunglasses in acetate and metal, gray gradient lenses. 4G model engraved inside auctions. Sold in their rigid black rubber case. Black.
Mask sunglasses with black flash lenses, temples and metal bridge with silver finish. Givenchy brand on temples and ends in black acetate.
Masked sunglasses with shaded brown lenses, temples and metal bridge with gold finish. Givenchy brand on temples and ends in dark tortoise acetate.
Black acetate sunglasses with gold-finish metal temples, engraved stars and shaded gray lenses. Chevron motif of golden metal on the sides of the frame, Givenchy brand on temples and ends in dark turtle acetate.
Sunglasses with bridge detail, ruthenium-plated metal frame and pink multilayer lenses. Terminals in dark tortoise acetate.
Sunglasses with bridge detail, metal frame with golden finish and turquoise multi-layer lenses. Terminals in havana acetate.
Black acetate sunglasses with gold-finish metal temples, engraved stars and shaded gray lenses. Chevron motif of golden metal on the sides of the frame, Givenchy Paris brand on temples and ends in dark turtle acetate.
Metal sunglasses with silver-finish frames, purple anti-reflective lenses and small purple decorative studs. Terminals in transparent acetate.
Metal sunglasses with rose gold finish, pink anti-reflection lenses and small pink decorative studs. Terminals in transparent acetate.
Black acetate sunglasses with metal-injected temples with gold finish and gray gradient lenses. Givenchy mark on the temples.
Dark tortoise acetate sunglasses with gold-plated metal-injected temples and shaded brown lenses. Givenchy brand on auctions.
Black acetate sunglasses with bridge and metal temples with gold finish and smoky gray lenses. Terminals in dark tortoise acetate.
Black acetate sunglasses with bridge and opaque black metal temples and smoky gray lenses. Terminals in black acetate.
Dark tortoise acetate sunglasses with bridge and metal temples with gold finish and green lenses. Terminals in black acetate.
Dark tortoise acetate sunglasses with gold-finish metal temples, incised stars and shaded brown lenses. Chevron motif of golden metal on the sides of the frame, Givenchy brand on temples and terminals in black acetate.
Metal sunglasses with a pink gold finish, green anti-glare lenses and small green decorative studs. Terminals in transparent acetate.
Opaque brown acetate sunglasses with bridge and metal rods with gold finish and brown lenses. Terminals in black acetate.