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Costume in pink doubled taffetas, of pink tulle with silver lurex embroidery, with trimmings and rosettes, embroidered with beads. Faithful to the dress worn by women in the 1700s, with vaporous and ample line from the waist down, expressing a sense of accentuated femininity. The dress consists of a fitted bodice with a square neckline; the sleeves end at...
Costume in floral liseré on a white base, yellow and red flowers, trimmed with trimmings and ruffles in changilli, orange taffeta skirt decorated with gold and floral damask trimmings. Faithful to the dress worn by women in 1700, with vaporous line and wide from the waist down, which expresses a sense of heightened femininity.
Costume in Lampasso Gold-White decorated with white pearl trimmings and gold base tableau, doubled in tulle, embroidered with stones and white paiettes, faithful to the dress worn by women in 1700. A dress with vaporous and wide line from the waist down, which expresses a sense of accentuated femininity. The dress is composed of a close-fitting bodice...
Costume composed of quartered in midnight blue embossed velvet with silver and teal lace inserts and jewel buttons. The quartered is the jacket of the eighteenth-century style male costume (the term may come from the four-piece manufacture of the garment) adherent to the waist and descends widening giving a conical aspect to the figure highlighting the...
Costume composed of Lampasso Gold-White with gold trimmings decorations and jewel buttons. The quartered is the jacket of the eighteenth-century style male costume (the term could come from the four-piece manufacture of the garment) adherent to the waist, which goes down widening, giving a conical appearance to the figure, highlighting the waist.
Costume in black velvet with gold embroidery, cashmere pattern with gold and black jewel buttons. Composed of inquartata, which is the jacket of the male costume of eighteenth-century style (the term may come from the four pieces processing of the head) adherent to the waist and goes down widening, giving a conical appearance to the figure, highlighting...
Tabarro, typical cloak of Venice in the eighteenth century, made of soft wool cloth, full wheel.
Robe Manteau made in fabric stitch, with double-breasted closure, gold buttons, Pinko.
Short down jacket with hood, raglan shoulder, trapeze fit, all made entirely in animal print fantasy, Pinko.
Jacket with lapels, screwed with internal clip button closure and jewel buttons, entirely made of fabric stitch fabric, Pinko.
Straight single-breasted jacket with rounded lapels in leopard pattern, entirely made in zebra pattern, Pinko.
Oversized fit coat with dropped shoulder peak lapels, front flap pockets, Pinko.
Double-breasted coat, with visible dropped shoulder buttons, fringed cape effect on bottom length, Pinko.
Double-breasted coat, with visible dropped shoulder buttons, fringed cape effect on bottom length, Pinko.
Narrow stripe velvet, striped with 0.3 cm symmetrical rib, unstructured by the warm, resistant, comfortable fabric. Classic lapel, two-button closure in mother of pearl. The cut is Neapolitan tailoring, perfect for the velvet purist in his most used and loved image. Ideal for the day and for business or leisure.
Men's 1930's cut white linen tailored jacket, with gussets and martingale on the back, complete with double breasted vest, in white linen.
Men's tailored jacket cut 30's in ecru linen, with gussets and martingale on the back, complete with vest.
Coat new spring collection made of denim fabric delavè cut blue shade.
Coat new spring collection made of denim fabric delavè cut black. Cotton lining, on the back string waistband with laces.
Men's coat, new spring collection, made of cut black denim fabric, with wide black cotine lapels and silver buttons. Long at the calves.
Coat new spring collection made of denim fabric delavè cut yellow shade. Yellow cotton lining, on the back string waistband with laces.