A New Generation Brand
Qeeboo is an Italian next-generation brand producing design objects created and launched in 2016 by Stefano Giovannoni. Its products are emotional and narrative, expressly not bourgeois but suitable for all. Once created, they are entrusted to our interpretation in order to acquire a new life. Qeeboo resumes and reinterprets in a fantastic way the icons of our imagination and gives them an unexpected original image, introducing a collection of smart, iconic and surprising products. Extraordinary objects created under the careful direction of Stefano Giovannoni in collaboration with a group of top international designers, integrating different styles and characters in a playful- narrative approach. A magical mix of technologies, inventions and industrial techniques, creating a catalog of emotional objects: so Mexico, Killer or Capitol, can be used in a personal way as a seat, a table, a lamp or a vase, a planter or a champagne cooler, allowing everyone to interpret and use them freely.
Capitol inaugurates a new collection of Studio Job that plays with the icons of history and architecture, rooted in our memory, ranging between East and West. It is an ironic but functional re-presentation of the dome of the Capitol Building in Washington DC, a historic example of American neoclassical architecture that stands on Capitol Hill. Champagne...
Capitol inaugurates a new collection of Studio Job that plays with the icons of history and architecture, rooted in our memory, ranging between East and West. It is an ironic but functional re-presentation of the dome of the Capitol Building in Washington DC, a historic example of American neoclassical architecture that stands on Capitol Hill. Champagne...
Capitol inaugurates a new collection of Studio Job that plays with the icons of history and architecture, rooted in our memory, ranging between East and West. It is an ironic but functional re-presentation of the dome of the Capitol Building in Washington DC, a historic example of American neoclassical architecture that stands on Capitol Hill. Gold.
Capitol inaugurates a new collection of Studio Job that plays with the icons of history and architecture, rooted in our memory, ranging between East and West. It is an ironic but functional re-presentation of the dome of the Capitol Building in Washington DC, a historic example of American neoclassical architecture that stands on Capitol Hill. Silver.
Capitol inaugurates a new collection of Studio Job that plays with the icons of history and architecture, rooted in our memory, ranging between East and West. It is an ironic but functional re-presentation of the dome of the Capitol Building in Washington DC, a historic example of American neoclassical architecture that stands on Capitol Hill. Champagne...
Capitol inaugurates a new collection of Studio Job that plays with the icons of history and architecture, rooted in our memory, ranging between East and West. It is an ironic but functional re-presentation of the dome of the Capitol Building in Washington DC, a historic example of American neoclassical architecture that stands on Capitol Hill. Champagne...
Ming is part of a new collection of Studio Job that plays with icons of history and architecture, rooted in our memory, ranging between East and West. An evolution of Mexico that arrives in Chinese territory in the rereading of the typical porcelain vase, an ancient symbol of oriental culture, usually decorated with depictions of dragons, animals, and...
Ming is part of a new collection of Studio Job that plays with icons of history and architecture, rooted in our memory, ranging between East and West. An evolution of Mexico that arrives in Chinese territory in the rereading of the typical porcelain vase, an ancient symbol of oriental culture, usually decorated with depictions of dragons, animals, and...
Ming is part of a new collection of Studio Job that plays with icons of history and architecture, rooted in our memory, ranging between East and West. An evolution of Mexico that arrives in Chinese territory in the rereading of the typical porcelain vase, an ancient symbol of oriental culture, usually decorated with depictions of dragons, animals, and...
Ming is part of a new collection of Studio Job that plays with icons of history and architecture, rooted in our memory, ranging between East and West. An evolution of Mexico that arrives in Chinese territory in the rereading of the typical porcelain vase, an ancient symbol of oriental culture, usually decorated with depictions of dragons, animals, and...
Ming is part of a new collection of Studio Job that plays with icons of history and architecture, rooted in our memory, ranging between East and West. An evolution of Mexico that arrives in Chinese territory in the rereading of the typical porcelain vase, an ancient symbol of oriental culture, usually decorated with depictions of dragons, animals, and...
Ming is part of a new collection of Studio Job that plays with icons of history and architecture, rooted in our memory, ranging between East and West. An evolution of Mexico that arrives in Chinese territory in the rereading of the typical porcelain vase, an ancient symbol of oriental culture, usually decorated with depictions of dragons, animals, and...
Ming is part of a new collection of Studio Job that plays with icons of history and architecture, rooted in our memory, ranging between East and West. An evolution of Mexico that arrives in Chinese territory in the rereading of the typical porcelain vase, an ancient symbol of oriental culture, usually decorated with depictions of dragons, animals, and...
Ming is part of a new collection of Studio Job that plays with icons of history and architecture, rooted in our memory, ranging between East and West. An evolution of Mexico that arrives in Chinese territory in the rereading of the typical porcelain vase, an ancient symbol of oriental culture, usually decorated with depictions of dragons, animals, and...
Ming is part of a new collection of Studio Job that plays with icons of history and architecture, rooted in our memory, ranging between East and West. An evolution of Mexico that arrives in Chinese territory in the rereading of the typical porcelain vase, an ancient symbol of oriental culture, usually decorated with depictions of dragons, animals, and...
"Flash, savior of the universe. He is there for us all, he represents each of us. He singlehandedly saved every man, every woman, every child, with a powerful flash! Ever since we banished the darkness from our caverns and Luke has faced Darth Vader in Star Wars, no light has been as important as Flash.” (Job Smeets). Black.
"Flash, savior of the universe. He is there for us all, he represents each of us. He singlehandedly saved every man, every woman, every child, with a powerful flash! Ever since we banished the darkness from our caverns and Luke has faced Darth Vader in Star Wars, no light has been as important as Flash.” (Job Smeets). Violet.
"Flash, savior of the universe. He is there for us all, he represents each of us. He singlehandedly saved every man, every woman, every child, with a powerful flash! Ever since we banished the darkness from our caverns and Luke has faced Darth Vader in Star Wars, no light has been as important as Flash.” (Job Smeets). Red.
"Flash, savior of the universe. He is there for us all, he represents each of us. He singlehandedly saved every man, every woman, every child, with a powerful flash! Ever since we banished the darkness from our caverns and Luke has faced Darth Vader in Star Wars, no light has been as important as Flash.” (Job Smeets). Orange.
"Flash, savior of the universe. He is there for us all, he represents each of us. He singlehandedly saved every man, every woman, every child, with a powerful flash! Ever since we banished the darkness from our caverns and Luke has faced Darth Vader in Star Wars, no light has been as important as Flash.” (Job Smeets). Amber.
"Flash, savior of the universe. He is there for us all, he represents each of us. He singlehandedly saved every man, every woman, every child, with a powerful flash! Ever since we banished the darkness from our caverns and Luke has faced Darth Vader in Star Wars, no light has been as important as Flash.” (Job Smeets). Green.