A New Generation Brand
Qeeboo is an Italian next-generation brand producing design objects created and launched in 2016 by Stefano Giovannoni. Its products are emotional and narrative, expressly not bourgeois but suitable for all. Once created, they are entrusted to our interpretation in order to acquire a new life. Qeeboo resumes and reinterprets in a fantastic way the icons of our imagination and gives them an unexpected original image, introducing a collection of smart, iconic and surprising products. Extraordinary objects created under the careful direction of Stefano Giovannoni in collaboration with a group of top international designers, integrating different styles and characters in a playful- narrative approach. A magical mix of technologies, inventions and industrial techniques, creating a catalog of emotional objects: so Mexico, Killer or Capitol, can be used in a personal way as a seat, a table, a lamp or a vase, a planter or a champagne cooler, allowing everyone to interpret and use them freely.
The V-2 rocket from World War II became an icon in the 1950s a symbol of futuristic technology and the American space program. It became iconic with children as the rocket that took the character Tin Tin to the moon. The name V-2 Schneider comes from a track from 1977 by David Bowie, named after one of the co-founders of Kraftwerk a big influence on his...
The V-2 rocket from World War II became an icon in the 1950s a symbol of futuristic technology and the American space program. It became iconic with children as the rocket that took the character Tin Tin to the moon. The name V-2 Schneider comes from a track from 1977 by David Bowie, named after one of the co-founders of Kraftwerk a big influence on his...
The V-2 rocket from World War II became an icon in the 1950s a symbol of futuristic technology and the American space program. It became iconic with children as the rocket that took the character Tin Tin to the moon. The name V-2 Schneider comes from a track from 1977 by David Bowie, named after one of the co-founders of Kraftwerk a big influence on his...
The V-2 rocket from World War II became an icon in the 1950s a symbol of futuristic technology and the American space program. It became iconic with children as the rocket that took the character Tin Tin to the moon. The name V-2 Schneider comes from a track from 1977 by David Bowie, named after one of the co-founders of Kraftwerk a big influence on his...
The V-2 rocket from World War II became an icon in the 1950s a symbol of futuristic technology and the American space program. It became iconic with children as the rocket that took the character Tin Tin to the moon. The name V-2 Schneider comes from a track from 1977 by David Bowie, named after one of the co-founders of Kraftwerk a big influence on his...
Job says he was inspired by a legendary figure who lived wrapped in mystery: 'the singer without a name'. "No one had ever seen her come out of her house, where heavy velvet curtains hid her from the eyes of the curious. The inscrutable singer was the author of a great musical success entitled, in fact, Mexico ". (Job Smeets). Dark Gold.
Job says he was inspired by a legendary figure who lived wrapped in mystery: 'the singer without a name'. "No one had ever seen her come out of her house, where heavy velvet curtains hid her from the eyes of the curious. The inscrutable singer was the author of a great musical success entitled, in fact, Mexico ". (Job Smeets). Orange.
Job says he was inspired by a legendary figure who lived wrapped in mystery: 'the singer without a name'. "No one had ever seen her come out of her house, where heavy velvet curtains hid her from the eyes of the curious. The inscrutable singer was the author of a great musical success entitled, in fact, Mexico ". (Job Smeets). Red.
Job says he was inspired by a legendary figure who lived wrapped in mystery: 'the singer without a name'. "No one had ever seen her come out of her house, where heavy velvet curtains hid her from the eyes of the curious. The inscrutable singer was the author of a great musical success entitled, in fact, Mexico ". (Job Smeets). Fuxia.
Job says he was inspired by a legendary figure who lived wrapped in mystery: 'the singer without a name'. "No one had ever seen her come out of her house, where heavy velvet curtains hid her from the eyes of the curious. The inscrutable singer was the author of a great musical success entitled, in fact, Mexico ". (Job Smeets). Violet.
Job says he was inspired by a legendary figure who lived wrapped in mystery: 'the singer without a name'. "No one had ever seen her come out of her house, where heavy velvet curtains hid her from the eyes of the curious. The inscrutable singer was the author of a great musical success entitled, in fact, Mexico ". (Job Smeets). Light Blue.
Job says he was inspired by a legendary figure who lived wrapped in mystery: 'the singer without a name'. "No one had ever seen her come out of her house, where heavy velvet curtains hid her from the eyes of the curious. The inscrutable singer was the author of a great musical success entitled, in fact, Mexico ". (Job Smeets). Rusty.
Job says he was inspired by a legendary figure who lived wrapped in mystery: 'the singer without a name'. "No one had ever seen her come out of her house, where heavy velvet curtains hid her from the eyes of the curious. The inscrutable singer was the author of a great musical success entitled, in fact, Mexico ". (Job Smeets). Translucent EU.
Job says he was inspired by a legendary figure who lived wrapped in mystery: 'the singer without a name'. "No one had ever seen her come out of her house, where heavy velvet curtains hid her from the eyes of the curious. The inscrutable singer was the author of a great musical success entitled, in fact, Mexico ". (Job Smeets). Translucent US.
Job says he was inspired by a legendary figure who lived wrapped in mystery: 'the singer without a name'. "No one had ever seen her come out of her house, where heavy velvet curtains hid her from the eyes of the curious. The inscrutable singer was the author of a great musical success entitled, in fact, Mexico ". (Job Smeets)
Miroir is part of a new collection of Studio Job that plays with the icons of history and architecture, rooted in our memory, ranging between East and West. The precious classic 17th century trays are revived today in an object designed to be out of scale, which takes on new functionality, to be used as a tray or as a decorative wall element. Black.
Miroir is part of a new collection of Studio Job that plays with the icons of history and architecture, rooted in our memory, ranging between East and West. The precious classic 17th century trays are revived today in an object designed to be out of scale, which takes on new functionality, to be used as a tray or as a decorative wall element. White.
Miroir is part of a new collection of Studio Job that plays with the icons of history and architecture, rooted in our memory, ranging between East and West. The precious classic 17th century trays are revived today in an object designed to be out of scale, which takes on new functionality, to be used as a tray or as a decorative wall element. Gold.
Miroir is part of a new collection of Studio Job that plays with the icons of history and architecture, rooted in our memory, ranging between East and West. The precious classic 17th century trays are revived today in an object designed to be out of scale, which takes on new functionality, to be used as a tray or as a decorative wall element. Silver.
Capitol inaugurates a new collection of Studio Job that plays with the icons of history and architecture, rooted in our memory, ranging between East and West. It is an ironic but functional re-presentation of the dome of the Capitol Building in Washington DC, a historic example of American neoclassical architecture that stands on Capitol Hill. Black.
Capitol inaugurates a new collection of Studio Job that plays with the icons of history and architecture, rooted in our memory, ranging between East and West. It is an ironic but functional re-presentation of the dome of the Capitol Building in Washington DC, a historic example of American neoclassical architecture that stands on Capitol Hill. White.