Available as a sunglass, the Double Round, invoking the spirit of David Hockney; the seminal post-modernist painter. This frame is reminiscent of his favourite style, the 0736 from our archive. With double milling on the rim interior, the frame has an enhanced depth only noticeable upon closer inspection.
The 'Rexangle' is a new sunglass shape for Cutler and Gross; a combined hexagon and rectangle. An unfamiliar shape offering the best of both worlds. The double milling which features prominently in the 1384 is repeated for the 1385. The bold angles give the frame an unstructured and raw flow.
The 'Rexangle' is a new sunglass shape for Cutler and Gross; a combined hexagon and rectangle. An unfamiliar shape offering the best of both worlds. The double milling which features prominently in the 1384 is repeated for the 1385. The bold angles give the frame an unstructured and raw flow.
The 'Rexangle' is a new sunglass shape for Cutler and Gross; a combined hexagon and rectangle. An unfamiliar shape offering the best of both worlds. The double milling which features prominently in the 1384 is repeated for the 1385.
Cat-eye sunglasses turn androgynous with the 0824; the curved browline is sharpened with angular temples and a keyhole bridge. It's refined with polished rives and marked with the exclusive Kingsman logo on the inner temple tips.
A chunky rounded square acetate with bevelled edges, due to increased tumbling and polishing during production. The frame has a unisex fit, combined with larger temples which give the frame a vintage feel.
The 1007 has been a part of the Cutler and Gross family in various guises from the late 80s; a squared round, which is light and functional. The frame is a nod to the tailoring of the decade, simplistic in design with any excess material removed to create a beautifully crafted and functional sunglass.
The 1007 has been a part of the Cutler and Gross family in various guises from the late 80s; a squared round, which is light and functional. The frame is a nod to the tailoring of the decade, simplistic in design with any excess material removed to create a beautifully crafted and functional sunglass.
The 1007 has been a part of the Cutler and Gross family in various guises from the late 80s; a squared round, which is light and functional. The frame is a nod to the tailoring of the decade, simplistic in design with any excess material removed to create a beautifully crafted and functional sunglass.
An Edwardian frame formed the basis of these round sunglasses, created in collaboration with the Kingsman design team. It's shaped to a bold yet classic profile with slim temples and vintage pins. Gold-foil logos mark the inner temples.
An Edwardian frame formed the basis of these round sunglasses, created in collaboration with the Kingsman design team. It's shaped to a bold yet classic profile with slim temples and vintage pins. Gold-foil logos mark the inner temples.
The 9002 sunglass draws its striking elliptical shape from 1920s motorcycle frames. Subtle period patterning details the metal design, which is fitted with comfortable nose pads. The gradient lenses are treated with an anti-reflective coating.
The 1350 is a classical cat eye frame which is made from acetate and available as an optical or sunglass. The temples have been newly designed and the 12mm nose pads create maximum comfort. Engineered in a new smaller size for a petite fit.
The 1350 is a classical cat eye frame which is made from acetate and available as an optical or sunglass. The temples have been newly designed and the 12mm nose pads create maximum comfort. Engineered in a new smaller size for a petite fit.
The 1350 is a classical cat eye frame which is made from acetate and available as an optical or sunglass. The temples have been newly designed and the 12mm nose pads create maximum comfort. Engineered in a new smaller size for a petite fit.
From the classic and reduced to more avant-garde designs, the supremely light and flexible metal frames are all meticulously handcrafted from stainless steel sheets less than 0.5 millimetres thick.
From the classic and reduced to more avant-garde designs, the supremely light and flexible metal frames are all meticulously handcrafted from stainless steel sheets less than 0.5 millimetres thick.
Bridging the gap between fashion and sports, MYLON is made using a 3D printing technique called Selective Laser Sintering.
Bridging the gap between fashion and sports, MYLON is made using a 3D printing technique called Selective Laser Sintering.
Bridging the gap between fashion and sports, MYLON is made using a 3D printing technique called Selective Laser Sintering.
Bridging the gap between fashion and sports, MYLON is made using a 3D printing technique called Selective Laser Sintering.