The postmodernist round, with 3D milled acetate to give the frame added depth and structure. The frame owes its lines to the classic round combination frame. Reimagined in full acetate using the finest, new techniques, perfected in our own factory.
The postmodernist round, with 3D milled acetate to give the frame added depth and structure. The frame owes its lines to the classic round combination frame. Reimagined in full acetate using the finest, new techniques, perfected in our own factory.
The postmodernist round, with 3D milled acetate to give the frame added depth and structure. The frame owes its lines to the classic round combination frame. Reimagined in full acetate using the finest, new techniques, perfected in our own factory.
The 1390 is ‘80’s-inspired through and through. This rounded acetate frame nods to both our archived 0197 - originally made in 1987 - and a certain Material Girl’s visit to our Knightsbridge store in 1989.
The 1390 is ‘80’s-inspired through and through. This rounded acetate frame nods to both our archived 0197 - originally made in 1987 - and a certain Material Girl’s visit to our Knightsbridge store in 1989.
The 1390 is ‘80’s-inspired through and through. This rounded acetate frame nods to both our archived 0197 - originally made in 1987 - and a certain Material Girl’s visit to our Knightsbridge store in 1989.
The 1390 is ‘80’s-inspired through and through. This rounded acetate frame nods to both our archived 0197 - originally made in 1987 - and a certain Material Girl’s visit to our Knightsbridge store in 1989.
The 1390 is ‘80’s-inspired through and through. This rounded acetate frame nods to both our archived 0197 - originally made in 1987 - and a certain Material Girl’s visit to our Knightsbridge store in 1989.
The 1390 is ‘80’s-inspired through and through. This rounded acetate frame nods to both our archived 0197 - originally made in 1987 - and a certain Material Girl’s visit to our Knightsbridge store in 1989.
A Cutler and Gross classic, the 0847 was adopted by the Kingsman franchise as the ‘Galahad’. This frame has taken pride of place centrally in the Kingsman series of motion pictures. Featuring a slightly more tailored fit than a traditional aviator and a sloping brow line for an unmistakable silhouette.
A Cutler and Gross classic, the 0847 was adopted by the Kingsman franchise as the ‘Galahad’. This frame has taken pride of place centrally in the Kingsman series of motion pictures. Featuring a slightly more tailored fit than a traditional aviator and a sloping brow line for an unmistakable silhouette.
A striking, contemporary round acetate frame, with modern high-set temples. A remake of our best-selling 1338 with traditional domed pins. Angular milled acetate mixed with soft inside edges give a bold look without sacrificing fit. Now available as a 49mm lens size.
A striking, contemporary round acetate frame, with modern high-set temples. A remake of our best-selling 1338 with traditional domed pins. Angular milled acetate mixed with soft inside edges give a bold look without sacrificing fit. Now available as a 49mm lens size.
A striking, contemporary round acetate frame, with modern high-set temples. A remake of our best-selling 1338 with traditional domed pins. Angular milled acetate mixed with soft inside edges give a bold look without sacrificing fit. Now available as a 49mm lens size.
During the late ‘50s and early ‘60s, the American counterculture movement landed on British shores. Spearheaded by Jack Kerouac’s seminal On The Road in 1957 and movies like The Beatniks and Beat Girl in the following years.
During the late ‘50s and early ‘60s, the American counterculture movement landed on British shores. Spearheaded by Jack Kerouac’s seminal On The Road in 1957 and movies like The Beatniks and Beat Girl in the following years.
During the late ‘50s and early ‘60s, the American counterculture movement landed on British shores. Spearheaded by Jack Kerouac’s seminal On The Road in 1957 and movies like The Beatniks and Beat Girl in the following years.
The 1395 is inspired by the trailblazing fashion designer Thea Porter - the Queen of Bohemian fashion in the 70s whose atelier was in Greek St, Soho, London. Porter dressed the era’s musical icons, including Jimi Hendrix, The Beatles, Mick Jagger and Diana Ross.
The 1395 is inspired by the trailblazing fashion designer Thea Porter - the Queen of Bohemian fashion in the 70s whose atelier was in Greek St, Soho, London. Porter dressed the era’s musical icons, including Jimi Hendrix, The Beatles, Mick Jagger and Diana Ross.
The 1395 is inspired by the trailblazing fashion designer Thea Porter - the Queen of Bohemian fashion in the 70s whose atelier was in Greek St, Soho, London. Porter dressed the era’s musical icons, including Jimi Hendrix, The Beatles, Mick Jagger and Diana Ross.
The 1395 is inspired by the trailblazing fashion designer Thea Porter - the Queen of Bohemian fashion in the 70s whose atelier was in Greek St, Soho, London. Porter dressed the era’s musical icons, including Jimi Hendrix, The Beatles, Mick Jagger and Diana Ross.