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The teddy bear, the emotional object par excellence, is reinterpreted by Stefano Giovannoni for Qeeboo and becomes a table lamp. The new pop icon, tender, and fun at the same time was designed in two versions, Boy & Girl. Teddy Girl, more timid and delicate, brings to light the feminine soul of the famous little bear, embracing a small luminous sphere....
The teddy bear, the emotional object par excellence, is reinterpreted by Stefano Giovannoni for Qeeboo and becomes a table lamp. The new pop icon, tender, and fun at the same time was designed in two versions, Boy & Girl. Teddy Girl, more timid and delicate, brings to light the feminine soul of the famous little bear, embracing a small luminous sphere. Red.
The teddy bear, the emotional object par excellence, is reinterpreted by Stefano Giovannoni for Qeeboo and becomes a table lamp. The new pop icon, tender, and fun at the same time was designed in two versions, Boy & Girl. Teddy Girl, more timid and delicate, brings to light the feminine soul of the famous little bear, embracing a small luminous sphere....
The teddy bear, the emotional object par excellence, is reinterpreted by Stefano Giovannoni for Qeeboo and becomes a table lamp. The new pop icon, tender, and fun at the same time was designed in two versions, Boy & Girl. Teddy Girl, more timid and delicate, brings to light the feminine soul of the famous little bear, embracing a small luminous sphere....
The teddy bear, the emotional object par excellence, is reinterpreted by Stefano Giovannoni for Qeeboo and becomes a table lamp. The new pop icon, tender, and fun at the same time was designed in two versions, Boy & Girl. Teddy Girl, more timid and delicate, brings to light the feminine soul of the famous little bear, embracing a small luminous sphere....
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Rabbit is a family of products with a strong media impact, one of Stefano Giovannoni's hat tricks, and immediately became a pop icon, a symbol of love and fertility, which brings good luck and good wishes. The idea of the rabbit, a gentle, lovable and shy animal, comes from the association of its silhouette with that of a seat, where the rabbit's ears...
Rabbit is a family of products with a strong media impact, one of Stefano Giovannoni's hat tricks, and immediately became a pop icon, a symbol of love and fertility, which brings good luck and good wishes. The idea of the rabbit, a gentle, lovable and shy animal, comes from the association of its silhouette with that of a seat, where the rabbit's ears...
Rabbit is a family of products with a strong media impact, one of Stefano Giovannoni's hat tricks, and immediately became a pop icon, a symbol of love and fertility, which brings good luck and good wishes. The idea of the rabbit, a gentle, lovable and shy animal, comes from the association of its silhouette with that of a seat, where the rabbit's ears...
Rabbit is a family of products with a strong media impact, one of Stefano Giovannoni's hat tricks, and immediately became a pop icon, a symbol of love and fertility, which brings good luck and good wishes. The idea of the rabbit, a gentle, lovable and shy animal, comes from the association of its silhouette with that of a seat, where the rabbit's ears...
Rabbit is a family of products with a strong media impact, one of Stefano Giovannoni's hat tricks, and immediately became a pop icon, a symbol of love and fertility, which brings good luck and good wishes. The idea of the rabbit, a gentle, lovable and shy animal, comes from the association of its silhouette with that of a seat, where the rabbit's ears...
Rabbit is a family of products with a strong media impact, one of Stefano Giovannoni's hat tricks, and immediately became a pop icon, a symbol of love and fertility, which brings good luck and good wishes. The idea of the rabbit, a gentle, lovable and shy animal, comes from the association of its silhouette with that of a seat, where the rabbit's ears...