Experience The World of Fashion
Identity
"I've always said that I'd like to mix rock and simplicity because this is fashion, it's the extremes, chic and shock. That's why Lady Diana and Madonna - two of the most important women of the moment - wear Versace and I think I'm satisfied with it. Even though it took me twenty years, I got to where I wanted to go." – Gianni Versace
History
The history of the Versace brand is first of all a family story that begins in Reggio Calabria in the ‘50s when little Gianni played in his mother tailor shop, where he learned the basics of the trade, because if it is true that in the years of greatest success he was called with just about any appellative, he always called himself a tailor.
In the same shop grew his older brother Santo, whose interest in fashion will be directed towards the management aspect, and the younger sister Donatella who followed in Gianni’s footsteps and for whom she was muse and right arm.
In 1972 Gianni Versace decides to depart from Calabria to go to Milan and work as a free lance designer initially making up a collection for a clothing firm called "Florentine Flowers".
Versace's ready-made apparel was an instant success so the designer decided to stay on in Milan and the following year began collaborating with Callaghan, Complice, and Genny.
The idea of creating a "Gianni Versace" label was soon in the air and in 1978 the designer presented his first collection under his own name.
He next opened a boutique which started the ball rolling and business constantly growing over the following years.
His multifarious activities in this busy and expanding period included fashion shows, design and tailoring of the costumes for the "Scala Theatre" ballet in Milan, courses run for fashion students in London, and art exhibitions of his works and designs, all of which brought in fame, fashion awards, and accolades from the highest quarters.
From a stylistic point of view the history of Versace is marked by the eclecticism of the collections in which elements of space and time far away and in antithesis are mixed in the creation of a woman which did not exist before, that is blatantly sexy and glamorous, an aesthetic which deeply marked the '80s and '90s.
In '93 the Versace Home line is created, since over the years Gianni and his sister Donatella have created a real lifestyle that has enchanted rock stars ready to write soundtracks of their show.
Princesses willing to fly to Milan to pay them homage, movie star have never been so sexy on the red carpet (above all Elizabeth Hurley at the premiere of "Four Weddings and a Funeral" in the dress held together by the famous safety pins which became a must of the brand).
After the tragic death of Gianni in 1997 in Miami at the hands of a serial killer its up to his sister Donatella, former creative director from 89 of the second line Versus, the task of bringing Versace into the new millennium, still enchanting just like the mythological figure of Medusa, symbol of the brand.
Today Versace is one of the leading international fashion design houses and a symbol of Italian luxury world-wide.
The importance of Versace in the history of fashion is measured also under other aspects, it is in fact one of the brands that contributed most from the late 70s to make Milan the fashion capital of the world, to make it a pole of attraction also through the phenomenon of the supermodels of whom Gianni Versace is considered the be the father.
He stole from Paris the most beautiful models and them made stars who exported the Made in Italy in the world: the first was Stephanie Seymour, then came Naomi Campbell, Cindy Crawford , Claudia Schiffer, Elle MacPherson and others; they showed for him and group posed for the most unscrupulous marketing campaigns ever seen until, then created by the greatest photographers in history, from Richard Avedon to Mario Testino.
All this, together with the continuous mingling with art and the close ties with the best known personalities of each sector from music (Madonna, Elton John, Sylvester Stallone and Princess Diana to name a few), has revolutionized the world of fashion.
Experience The World of Fashion
Identity
"I've always said that I'd like to mix rock and simplicity because this is fashion, it's the extremes, chic and shock. That's why Lady Diana and Madonna - two of the most important women of the moment - wear Versace and I think I'm satisfied with it. Even though it took me twenty years, I got to where I wanted to go." – Gianni Versace
History
The history of the Versace brand is first of all a family story that begins in Reggio Calabria in the ‘50s when little Gianni played in his mother tailor shop, where he learned the basics of the trade, because if it is true that in the years of greatest success he was called with just about any appellative, he always called himself a tailor.
In the same shop grew his older brother Santo, whose interest in fashion will be directed towards the management aspect, and the younger sister Donatella who followed in Gianni’s footsteps and for whom she was muse and right arm.
In 1972 Gianni Versace decides to depart from Calabria to go to Milan and work as a free lance designer initially making up a collection for a clothing firm called "Florentine Flowers".
Versace's ready-made apparel was an instant success so the designer decided to stay on in Milan and the following year began collaborating with Callaghan, Complice, and Genny.
The idea of creating a "Gianni Versace" label was soon in the air and in 1978 the designer presented his first collection under his own name.
He next opened a boutique which started the ball rolling and business constantly growing over the following years.
His multifarious activities in this busy and expanding period included fashion shows, design and tailoring of the costumes for the "Scala Theatre" ballet in Milan, courses run for fashion students in London, and art exhibitions of his works and designs, all of which brought in fame, fashion awards, and accolades from the highest quarters.
From a stylistic point of view the history of Versace is marked by the eclecticism of the collections in which elements of space and time far away and in antithesis are mixed in the creation of a woman which did not exist before, that is blatantly sexy and glamorous, an aesthetic which deeply marked the '80s and '90s.
In '93 the Versace Home line is created, since over the years Gianni and his sister Donatella have created a real lifestyle that has enchanted rock stars ready to write soundtracks of their show.
Princesses willing to fly to Milan to pay them homage, movie star have never been so sexy on the red carpet (above all Elizabeth Hurley at the premiere of "Four Weddings and a Funeral" in the dress held together by the famous safety pins which became a must of the brand).
After the tragic death of Gianni in 1997 in Miami at the hands of a serial killer its up to his sister Donatella, former creative director from 89 of the second line Versus, the task of bringing Versace into the new millennium, still enchanting just like the mythological figure of Medusa, symbol of the brand.
Today Versace is one of the leading international fashion design houses and a symbol of Italian luxury world-wide.
The importance of Versace in the history of fashion is measured also under other aspects, it is in fact one of the brands that contributed most from the late 70s to make Milan the fashion capital of the world, to make it a pole of attraction also through the phenomenon of the supermodels of whom Gianni Versace is considered the be the father.
He stole from Paris the most beautiful models and them made stars who exported the Made in Italy in the world: the first was Stephanie Seymour, then came Naomi Campbell, Cindy Crawford , Claudia Schiffer, Elle MacPherson and others; they showed for him and group posed for the most unscrupulous marketing campaigns ever seen until, then created by the greatest photographers in history, from Richard Avedon to Mario Testino.
All this, together with the continuous mingling with art and the close ties with the best known personalities of each sector from music (Madonna, Elton John, Sylvester Stallone and Princess Diana to name a few), has revolutionized the world of fashion.
Modern hexagonal sunglasses with a full frame and the Versace Medusa icon on the temple. Red.
Classic sunglasses with the iconic Versace touch, characterized by a thick acetate frame and Medusa Tribute gold icons. The Versace Baroque era has ferried the classic flowers of Renaissance origin into the future. The Baroque and Animal prints appeared for the first time at the Fall Winter 1991 and Spring Summer 1992 fashion shows and have now become an...
Vintage Tribute black sunglasses with two gold Medusa Tribute icons on each side and a thick acetate frame, a classic model with the Versace touch.
Vintage Pink Tribute sunglasses with two gold Medusa Tribute icons on each side and a thick acetate frame, a classic model with the Versace touch.
Classic sunglasses with the iconic Versace touch, characterized by a thick acetate frame and Medusa Tribute gold icons. The butterfly look brings this original style to new chic levels. This print expresses the natural ease and colorful aesthetics for which Versace is famous. This design is a true representation of Gianni's love for prints, with the...
Vintage Blue Tribute sunglasses with two gold Medusa Tribute icons on each side and a thick acetate frame, a classic model with the Versace touch.
Classic sunglasses with the iconic Versace touch, characterized by a thick acetate frame and Medusa Tribute gold icons. The Mediterranean origins of Gianni and Donatella are revisited through the Trésor de la Mer print. Gianni's fundamental influences include shells, pearls and corals: the rich marine treasures recall his native town in Calabria and...
Classic sunglasses with the iconic Versace touch, characterized by a thick acetate frame and Medusa Tribute gold icons. The Vogue press is a tribute to the power of the media, the expression of the passion for pop art created in collaboration with Vogue. This print of the PE '91 collection by Gianni Versace is a bold composition with the Vogue logo in...
A reinterpretation of a vintage model, the Medusa 96 black oval sunglasses have gray shaded lenses and two gold jellyfish on the temples, embellished by the engraving of the Medusa 96 inside them.
A feminine but light model. A sunglasses with a new style, decorated with the legendary Baroque motif of Versace. An ethereal frame, with cat's eyes, with double bridge and metal temples, embellished with a splendid Baroque crystal decoration at the ends of the lenses.
A feminine but light model. A sunglasses with a new style, decorated with the legendary Baroque motif of Versace. An ethereal frame, with cat's eyes, with thin metal temples, embellished with a splendid Baroque crystal decoration at the ends of the lenses. Rose gold.
A feminine but light model. A sunglasses with a new style, decorated with the legendary Baroque motif of Versace. An ethereal frame, with cat's eyes, with double bridge and metal temples, embellished with a splendid Baroque crystal decoration at the ends of the lenses. Black gold.
A feminine but light model. A sunglasses with a new style, decorated with the legendary Baroque motif of Versace. An ethereal frame, with cat's eyes, with thin metal temples, embellished with a splendid Baroque crystal decoration at the ends of the lenses. Light gold.
A feminine but light model. A sunglasses with a new style, decorated with the legendary Baroque motif of Versace. An ethereal frame, with cat's eyes, with thin metal temples, embellished with a splendid Baroque crystal decoration at the ends of the lenses. Grey.
A feminine but light model. A sunglasses with a new style, decorated with the legendary Baroque motif of Versace. An ethereal frame, with cat's eyes, with double bridge and metal temples, embellished with a splendid Baroque crystal decoration at the ends of the lenses. Silver.
A feminine but light model. A sunglasses with a new style, decorated with the legendary Baroque motif of Versace. An ethereal frame, with cat's eyes, with double bridge and metal temples, embellished with a splendid Baroque crystal decoration at the ends of the lenses. Grey Gold.
A style with an ever-present elegance that combines a classic feminine shape with the legendary Baroque motif of Versace. Cat-shaped sunglasses with thin metal temples, embellished with a splendid Baroque crystal decoration at the ends of the frame. Brown.
A style of ever-present elegance that combines a classic feminine shape with the legendary Baroque motif of Versace. Cat-shaped sunglasses with thin metal temples, embellished with a splendid Baroque crystal decoration at the ends of the frame. Havana.
A style of ever-present elegance that combines a classic feminine shape with the legendary Baroque motif of Versace. Cat-shaped sunglasses with thin metal temples, embellished with a splendid Baroque crystal decoration at the ends of the frame. Black gold.
Used in the Eyewear SS17 campaign and inspired by the freedom and energy of movement, the #Frenergy silver mask features metal studs and a small Medusa on the forntale and black temples on a metal rod with engraved Greek. Silver.
Oversized mask sunglasses with Medusa icon studs - a futuristic look combined with iconic Versace elements, with gold frames and gray lenses.