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Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Time has passed since its 1933 cinema debut: (King) Kong, the ferocious beast became a good hero when the feelings began to resurface, and, reluctantly abandoned the jungle, the city now seems to have become home, whether New York or any other city. Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front of itself just as if...
Rabbit is a family of products with a strong media impact, one of Stefano Giovannoni's hat tricks, and immediately became a pop icon, a symbol of love and fertility, which brings good luck and good wishes. The idea of the rabbit, a gentle, lovable and shy animal, comes from the association of its silhouette with that of a seat, where the rabbit's ears...
Rabbit is a family of products with a strong media impact, one of Stefano Giovannoni's hat tricks, and immediately became a pop icon, a symbol of love and fertility, which brings good luck and good wishes. The idea of the rabbit, a gentle, lovable and shy animal, comes from the association of its silhouette with that of a seat, where the rabbit's ears...
Rabbit is a family of products with a strong media impact, one of Stefano Giovannoni's hat tricks, and immediately became a pop icon, a symbol of love and fertility, which brings good luck and good wishes. The idea of the rabbit, a gentle, lovable and shy animal, comes from the association of its silhouette with that of a seat, where the rabbit's ears...
Rabbit is a family of products with a strong media impact, one of Stefano Giovannoni's hat tricks, and immediately became a pop icon, a symbol of love and fertility, which brings good luck and good wishes. The idea of the rabbit, a gentle, lovable and shy animal, comes from the association of its silhouette with that of a seat, where the rabbit's ears...
Rabbit is a family of products with a strong media impact, one of Stefano Giovannoni's hat tricks, and immediately became a pop icon, a symbol of love and fertility, which brings good luck and good wishes. The idea of the rabbit, a gentle, lovable and shy animal, comes from the association of its silhouette with that of a seat, where the rabbit's ears...
Inspired by the Studio Job’s “Robber Baron” bronze sculpture from 2008, this much more simplified version is an 85-centimeters-high reduced model of the Studio Job icon. “Empire” expresses Job’s fascination for landmarks and their meaning. White.
Inspired by the Studio Job’s “Robber Baron” bronze sculpture from 2008, this much more simplified version is an 85-centimeters-high reduced model of the Studio Job icon. “Empire” expresses Job’s fascination for landmarks and their meaning. Pink.
Inspired by the Studio Job’s “Robber Baron” bronze sculpture from 2008, this much more simplified version is an 85-centimeters-high reduced model of the Studio Job icon. “Empire” expresses Job’s fascination for landmarks and their meaning. Light Blue.
Inspired by the Studio Job’s “Robber Baron” bronze sculpture from 2008, this much more simplified version is an 85-centimeters-high reduced model of the Studio Job icon. “Empire” expresses Job’s fascination for landmarks and their meaning. Silver.
Inspired by the Studio Job’s “Robber Baron” bronze sculpture from 2008, this much more simplified version is an 85-centimeters-high reduced model of the Studio Job icon. “Empire” expresses Job’s fascination for landmarks and their meaning. Gold.
Inspired by the Studio Job’s “Robber Baron” bronze sculpture from 2008, this much more simplified version is an 85-centimeters-high reduced model of the Studio Job icon. “Empire” expresses Job’s fascination for landmarks and their meaning. Translucent
The V-2 rocket from World War II became an icon in the 1950s a symbol of futuristic technology and the American space program. It became iconic with children as the rocket that took the character Tin Tin to the moon. The name V-2 Schneider comes from a track from 1977 by David Bowie, named after one of the co-founders of Kraftwerk a big influence on his...
The V-2 rocket from World War II became an icon in the 1950s a symbol of futuristic technology and the American space program. It became iconic with children as the rocket that took the character Tin Tin to the moon. The name V-2 Schneider comes from a track from 1977 by David Bowie, named after one of the co-founders of Kraftwerk a big influence on his...
The V-2 rocket from World War II became an icon in the 1950s a symbol of futuristic technology and the American space program. It became iconic with children as the rocket that took the character Tin Tin to the moon. The name V-2 Schneider comes from a track from 1977 by David Bowie, named after one of the co-founders of Kraftwerk a big influence on his...