A New Generation Brand
Qeeboo is an Italian next-generation brand producing design objects created and launched in 2016 by Stefano Giovannoni. Its products are emotional and narrative, expressly not bourgeois but suitable for all. Once created, they are entrusted to our interpretation in order to acquire a new life. Qeeboo resumes and reinterprets in a fantastic way the icons of our imagination and gives them an unexpected original image, introducing a collection of smart, iconic and surprising products. Extraordinary objects created under the careful direction of Stefano Giovannoni in collaboration with a group of top international designers, integrating different styles and characters in a playful- narrative approach. A magical mix of technologies, inventions and industrial techniques, creating a catalog of emotional objects: so Mexico, Killer or Capitol, can be used in a personal way as a seat, a table, a lamp or a vase, a planter or a champagne cooler, allowing everyone to interpret and use them freely.
Pupa Armchair signed by Andrea Branzi is agile and voluptuous at the same time. It leans on a light metallic frame leaving the volume floating in the space. Born with chrome frame for outdoor and gold frame for interior. Pink.
The most classic and iconic of chairs is redesigned by Stefano Giovannoni's expert hand. Its design is calibrated to perfection in every detail and so it produces a new and modern classic. Light and resistant it fits in any type of room. Black.
The most classic and iconic of chairs is redesigned by Stefano Giovannoni's expert hand. Its design is calibrated to perfection in every detail and so it produces a new and modern classic. Light and resistant it fits in any type of room. Beige.
The most classic and iconic of chairs is redesigned by Stefano Giovannoni's expert hand. Its design is calibrated to perfection in every detail and so it produces a new and modern classic. Light and resistant it fits in any type of room. White.
The classic crystal glass is taken out of scale to become a table lamp in three different formats that refer respectively to a flute, a cup, and a champagne glass. The same glasses, by inverting their position and applying an element to the upper part, become suspension lamps. Smoke.
The classic crystal glass is taken out of scale to become a table lamp in three different formats that refer respectively to a flute, a cup, and a champagne glass. The same glasses, by inverting their position and applying an element to the upper part, become suspension lamps. Transparent.
The classic crystal glass, taken out from its original scale, becomes a table lamp in three different shapes similar to a champagne flute, a goblet and a chalice. The same glasses, in a reversed position and with an element fixed on its top, become ceiling lamps. Smoke.
The classic crystal glass, taken out from its original scale, becomes a table lamp in three different shapes similar to a champagne flute, a goblet and a chalice. The same glasses, in a reversed position and with an element fixed on its top, become ceiling lamps. Transparent.
The classic crystal glass, taken out from its original scale, becomes a table lamp in three different shapes similar to a champagne flute, a goblet and a chalice. The same glasses, in a reversed position and with an element fixed on its top, become ceiling lamps. Smoke.
The classic crystal glass, taken out from its original scale, becomes a table lamp in three different shapes similar to a champagne flute, a goblet and a chalice. The same glasses, in a reversed position and with an element fixed on its top, become ceiling lamps. Transparent.
The classic crystal glass, taken out from its original scale, becomes a table lamp in three different shapes similar to a champagne flute, a goblet and a chalice. The same glasses, in a reversed position and with an element fixed on its top, become ceiling lamps. Smoke.
The classic crystal glass, taken out from its original scale, becomes a table lamp in three different shapes similar to a champagne flute, a goblet and a chalice. The same glasses, in a reversed position and with an element fixed on its top, become ceiling lamps. Transparent.
The classic crystal glass, taken out from its original scale, becomes a table lamp in three different shapes similar to a champagne flute, a goblet and a chalice. The same glasses, in a reversed position and with an element fixed on its top, become ceiling lamps. Smoke.
The classic crystal glass, taken out from its original scale, becomes a table lamp in three different shapes similar to a champagne flute, a goblet and a chalice. The same glasses, in a reversed position and with an element fixed on its top, become ceiling lamps. Transparent.
The classic crystal glass, taken out from its original scale, becomes a table lamp in three different shapes similar to a champagne flute, a goblet and a chalice. The same glasses, in a reversed position and with an element fixed on its top, become ceiling lamps. Smoke.
The classic crystal glass, taken out from its original scale, becomes a table lamp in three different shapes similar to a champagne flute, a goblet and a chalice. The same glasses, in a reversed position and with an element fixed on its top, become ceiling lamps. Transparent.
In mathematics, there are only five regular forms with the same face. For the "Pythagoras" series of lamps, named after the famous Greek mathematician, Hutten used these regular shapes like the cube and the triangular pyramid to create this family of iconic lamps.
In mathematics there are only 5 regular shapes with an equal face, such as the cube and the triangular pyramid. For the Pitagora series of lamps, named after the famous greek mathematician Pitagora, Hutten used these regular shapes to create the iconic Pitagora family of light.
In mathematics there are only 5 regular shapes with an equal face, such as the cube and the triangular pyramid. For the Pitagora series of lamps, named after the famous greek mathematician Pitagora, Hutten used these regular shapes to create the iconic Pitagora family of light.
A vase that incorporates the structure and shape of a coral firmly anchored to its base, where you can put flowers but also let the object live as a sculpture. Andrea Branzi overturns the concept of collection interpreted within the same theme, technical and decorative, declined in several elements: his objects for Qeeboo take different directions.
'X' is a family of tables of different sizes, composed of an extensible aluminum structure with wooden top or single-material in total black plastic. The square table with four seats, ideal for bars and restaurants.